繪畫中線與邊緣對(duì)形的表現(xiàn)

1、 繪畫中線與邊緣對(duì)形的表現(xiàn) 論文題目： 論文題目：繪畫中線與邊緣對(duì)形的表現(xiàn) 繪畫中線與邊緣對(duì)形的表現(xiàn) 專 業(yè)：美術(shù)學(xué) 業(yè)：美術(shù)學(xué) 碩 士 生： 生：王一亞雄 王一亞雄 指導(dǎo)教師： 指導(dǎo)教師：王勝利 王勝利 摘 要 作者從業(yè)繪畫，以切身的學(xué)習(xí)經(jīng)歷為基礎(chǔ)，為進(jìn)一步完善專業(yè)領(lǐng)域內(nèi)的一些缺失或空白撰寫本文，內(nèi)容范圍主

2、要涵蓋寫實(shí)繪畫，也包含了很多其他視覺藝術(shù)。文章的重點(diǎn)線與邊緣，其中邊緣的概念在前人中比較少提到，且僅是作為一個(gè)小的知識(shí)點(diǎn)，本文將其較詳細(xì)的解釋和闡述，還原其本該在視覺藝術(shù)中應(yīng)有的地位。 文章分析了邊緣的屬性銳利與模糊，指的都是色塊界限過度的程度不同，這些邊界的過度可以非常突然，或非常緩和，又或是介于兩者之間，最模糊的在色塊融合的地方已經(jīng)消失，而最銳利的邊緣，就是讓色塊的邊界盡可能清晰。準(zhǔn)確說來最銳利的方式只有一種，更為顯眼的表現(xiàn)是在清晰

3、的基礎(chǔ)上使邊緣形成一條直線。但是模糊的方式卻有很多，絕不只是單純的類似軟件中的一種虛化模糊。總的來說可以分為幾類，1.漸變過度類。2.破碎過度類。3.加入新顏色過度類。 4.以上三種的混合。與第三種相比，前兩種更接近一些。邊緣能表現(xiàn)獨(dú)有的空間感，并真實(shí)銜接畫面上要重現(xiàn)的事物，也可控制畫面的視覺焦點(diǎn)。 另一個(gè)元素，線，前人已經(jīng)有豐富的研究和大量相關(guān)文獻(xiàn)，但其中多與繪畫中風(fēng)格流派聯(lián)系居多，本文從線的本質(zhì)屬性與與視知覺感受方面講解，盡量用較少

4、的語(yǔ)言使概念和結(jié)論精煉。線的韻律與張力，由于線是對(duì)事物的抽象概括，它簡(jiǎn)化了事物，只留下其本便加強(qiáng)形的效果，產(chǎn)生了明顯的韻律與張力，線的使用本身就是符合人類觀察本質(zhì)的概括性藝術(shù)手法，而線的各種屬性更為視覺藝術(shù)帶來了獨(dú)一無二的表現(xiàn)領(lǐng)域。線的表現(xiàn)力源自線對(duì)視覺焦點(diǎn)的引導(dǎo)，視覺在被引導(dǎo)的過程中產(chǎn)生了“力”的作用，線條越清晰表現(xiàn)力就越明確。 曲線的張力表現(xiàn)在兩個(gè)方面，張力的大小與張力的方向。一條不對(duì)稱的曲線含義就是曲線兩邊的彎曲程度不一樣，一邊會(huì)

5、比另一邊更彎曲，張力往往會(huì)從弧度小的一邊開始，順著曲線的方向并隨著弧度的增加而加強(qiáng)，構(gòu)成曲線的方向，而這條曲線隆起的高度就是張力的大小。 張力的方向是曲線隆起的方向， 而這個(gè)張力又會(huì)被曲線的方向引導(dǎo)，觀眾視覺上也會(huì)被向這個(gè)方向引導(dǎo)。 相比直線，曲線可以表現(xiàn)更強(qiáng)的張力，因?yàn)榍€可以更具吸引力的地引導(dǎo)視覺，通繪畫中線與邊緣對(duì)形的表現(xiàn) Subject:Oil painting Spec

6、alty:Line and Edge Express Shape in Painting Name:Yiyaxiong Wang Instructor: Shengli Wang ABSTRACT The author as a painter, by the personal learning experiences as the foundation, to further improve the painting theory b

7、y fill some missing or blank of this writing, the article about painting, including traditional painting , also contains many other visual art. This paper analyzes the properties of sharp edge and fuzzy, refer to those b

8、oundaries over the degree of different, these boundary over can be very suddenly, or is very relaxed, or somewhere in between, the fuzzy color fusion in place has disappeared, and the sharp edges, is to make the color bo

9、undary as clear.Accurate to say the most sharp there is only one way, the more prominent performance is to make the edge in the clear based on the formation of a straight line. But fuzzy way there are many, not just a si

10、mple fuzzy similar software in.But fuzzy way there are many, not just a simple fuzzy similar software in. In general can be divided into several categories, 1.Gradient transition. 2. broken over class. Adding 3. new colo

11、r transition. 4.the three way above mix. Compared with third, the first two come closer. Edge can represent a unique sense of space, and to reproduce the things true cohesion on the screen, the visual focus can also cont

12、rol the picture. Another element, line, predecessors have rich research and a large number of relevant literature, but many of them and painting style schools are the essential attributes of contact, from the line and vi

13、sual perception to explain, try to use less language makes the concept and conclusion refining.Rhythm and the tension line, because the line is the abstract generalization of things, it simplifies things, leaving only th

14、e will to strengthen the shape effect, produce a rhythm and tension significantly, line itself is consistent with the nature of human observation using the general artistic techniques, and various properties of line is m

15、ore visual art has brought the one and only the performance of the field.Line performance stems from line to the visual focus of the visual guide, produced a “force“ in the process is guided in the role, more clear expre