對(duì)中國(guó)民歌改編的藝術(shù)歌曲作曲技法的研究

1、南京航空航天大學(xué)碩士學(xué)位論文對(duì)中國(guó)民歌改編的藝術(shù)歌曲作曲技法的研究姓名：周穎申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：音樂(lè)學(xué)指導(dǎo)教師：黃舒拉2011-03對(duì)中國(guó)民歌改編的藝術(shù)歌曲作曲技法的研究 iiAbstract Compared with the development of the society, the improvement of humans’ aesthetic needs and the use of the media, the ar

2、tificial songs which rearranged from the Chinese ballads are in more and more people’s good graces. Nowadays, becoming one of the most important types of arts, it holds the balance in the vocal music teaching. Such artif

3、icial songs are different from those composed by the traditional or modern methods. They have certain needs to the singer, either considered by the understanding of literature or the controlling of the sounds. These arti

4、ficial songs are elaborately composed by the composer according to the songs spread among the people. Based on the songs among the people, through the establishment and change of the mode and tonality, the enlarge of the

5、 music form, what’s more, the various chord forms and harmonic study accompanied by the piano, the composers, using the beautiful melody, modesty music lyric and specific structure in the traditional ballad, express thei

6、r potential beauty in another way. In this way, it becomes the symbol of the national cultural aesthetic. This article begins with the composing skills used in the special aspects, such as, melody, music form, the mode a

7、nd tonality, harmony, texture and so on during the composers’ rearrangement. Also, this article still focuses on these skills and their enlightenment for us to rearrange the traditional ballads to other types of arts. K