普契尼歌劇的音樂風格及其詠嘆調(diào)的演唱分析.pdf

1、河南大學碩士學位論文普契尼歌劇的音樂風格及其詠嘆調(diào)的演唱分析姓名：周新艷申請學位級別：碩士專業(yè)：音樂學指導教師：劉文昌2003.5.1AbstractPucciniWaSafamousoperacomposerinItalyattheendof19thcenturyandthebeginningof20thcenturyAsadistinctivemasterofopera，heheldanunshakeablepositioninth

2、ehistoryofoperaInfact，hisoperaworksrepresentedthehighestlevelofoperaafterthetimeofVerdiManyofhisworksstilloccupyaleadingpositionintherepertoiresofmanytheatresintheworldeventodayMostariasintheseoperasareamustforteachingan

3、dattendingasingingcontestBasedonthetimebackgroundandfeaturesofhisworks，theauthortriestomakeafurtheranalysisofhismusicstyleandvocatcharacteristicsthroughadetailedstudyofhisartisticfeature，vocalskillandtheconcretedispositi

4、onofariasinthisthesis，andthefinalaimistoseekabetterinstructioninvocalpracticesThewholethesisfallsintothreeparts：Inthefirstpart，theauthorfirstlyreviewsthebackgroundofPuccini，andthenstudiesthegeneralcomposingfeaturesofhiso

5、peras，mainlyhismusicstyleandthethemeofoperas，throughacomprehensiveanalysisofhisdifferentworksThesecondpartcoversadetailedanalysisofthevocalfeaturesofhisariasInthispart，theauthorfirstlystudiestheconcretefeatures，suchasspe

6、ed，metre，beginningandending，etethroughtheanalysisofhisarias’musicscores，andthenanalyzesthevariousskillsusedinhisarias，likeglissandi，limsonandSOonFinallyinthisparttheauthormakesa自urtheranalysisofthemusicstyleandvocalfeatu

7、resofhisariasbyexampleofhisfamousaria“MichiamanoMimi”ThethirdpartistheconclusionofthisthesisFirstlyinthispart，theauthorgeneralizesandsumuptheoverallmusicIstyleofPuccini’Soperasandthesingingstyleofhisarias，andthentheautho