中國民族歌劇-絕唱唱段-研究.pdf

1、南京藝術(shù)學(xué)院碩士學(xué)位論文中國民族歌劇“絕唱唱段“研究姓名：白致瑤申請學(xué)位級別：碩士專業(yè)：音樂學(xué)（聲樂表演）指導(dǎo)教師：李雙江李詩原20110510IIAbstractRepresentingtheconfessionofthemainherobefehisferventdeaththedesignofthe“l(fā)ostaria”（sungbefethemainheroine’sdeath）oftheChinesenationaloperah

2、asgonethroughmethanhalfacenturyofexplation.Thecreativedesignofthe“l(fā)ostaria”oftheChinesenationaloperareflectsanevolvinghisticalprocess.Whetherinthemusicalstyleofartisticexpressionthe“l(fā)ostaria”isabletoreflectonthespecifich

3、isticalculturalbackgroundaswellasrevealadevelopingpattern.The“l(fā)ostaria”oftheChinesenationaloperabringstogetherthemostimptantthemesoftheoperareflectsthecontrollingeffectofthebasictheme.The“l(fā)ostaria”isgenerallycategizedas“

4、banqiang”structurealsoreflectsthecavitytonalfeaturessimilartothatoftraditionaloperathereferevealingastyleoftraditionalopera.The“l(fā)ostaria”oftheChinesenationaloperapresentsartisticexpressionsof“farewell”“retrospect”“compla

5、int”“fearlessnessofdeath”“prospect”alsodemonstratesseparatelythedifferentsidesofthemainhero’sthoughtspersonality.The“peakaria”oftheChinesenationaloperaallowsfthecompleteshapingofthemainheroine’sartisticimageinthestyenabl