高揚的主體意識——法國后印象派與中國清代揚州八怪之比較研究.pdf

1、河南大學碩士學位論文高揚的主體意識法國后印象派與中國清代揚州八怪之比較研究姓名：呂秀利申請學位級別：碩士專業(yè)：藝術(shù)學指導(dǎo)教師：席衛(wèi)權(quán)201105IIIABSTRACTABSTRACTThePostimpressionismtheEightEccentricPaintersofYangzhouduringtheQingdynastyaretwoattractivegliouspartsintheEasternWesternhistyoft

2、heartdevelopment.thesetwopartshavebackgroundcausepropositionsacteristicsincommon.Thisthesistriestoanalysescomparingresearchbeginningwiththeirsubjectconsciousnessofcreationthosetwogroupsthenextendsexpstheclosedreadaboutth

3、osetwoparts.Thethesisexplainsthebeginningofthetopicfirst.Theseexiststhespecificmainreasonwhichareconcernedbythepeoplebefethemainconsciousnessinthefixedtime.WecanfindthesimilarbetweenthosetwopartsbythePostimpressionismdra

4、wlessonsfromtheEast.Thenthethesisgivesabriefcrespondenceintroductionofthosetwoparts.secondthethesishasananalogyfromseveralsimilarpointssuchastheirbackgroundsconclusionoftheirgroupspersonalitycreation.thenfromthetwopartso

5、fthechoiceaboutsubjectconsciousnessthatthewayoftwogroupshlingthematerialtheirattitudeoftheyholdabouttoputtheartphenomenonintothemacroscopicartestheticstheirowncivilizationbackgroundtoanalyze.Fromthesecomparewecanfindthat

6、thereexistthesameregulationexpresswaybetweentheEastWestart.Itisbeyonddoubtthatconcerningontheconsciousnessdisplayingconstitutetheinnerrenewdevelopmentpowerofthesetwoparts.Acertainslimilyofthecreationalsohasthedeepdiffere

7、nce.Thoughthepeopleareinterlinkedwitheachotherwhentheyarecreatingtherealsowouldbesomedifferenceinthedifferentlivingenvironment.Thecreationindifferentlivinghasthedifferencewitheachother.thedifferencecan’tbeavoided.Butcond

8、ensingtheartist’suniquespiritartpersonalitythePostimpressionismtheEightEccentricPaintersofYangzhouduringtheQingdynastyhavethesameendthroughtwodifferentwaysintheirartboundarystatetheystillenlightentheartinthemoderntimesth