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1、 學(xué)校代碼:10270 分類號: 學(xué)號:152502501 碩士專業(yè)學(xué)位論文 《維厄當(dāng)?shù)谒男√崆賲f(xié)奏曲》 第一樂章演奏技巧分析 學(xué) 院 : 音樂學(xué)院專業(yè)學(xué)位類別 : 藝術(shù)碩士專 業(yè) 領(lǐng) 域 : 音 樂研 究 生 姓 名 : 李可心指 導(dǎo) 教 師 : 錢 涼完 成 日 期 : 2018 年 3 月Abstract Shangha
2、i Normal University Master of Philosophy II Abstract Henri (Henri Vieuxtemps, 1820-1881) is a Belgian violin in modem history of art history an important performer and composer. This work is one of the important work d
3、urdang, he broke the conventional three music melody structure, on the playing technique is also difficulty is high, this article will be the first movement as the research object, analyzes its playing techniques, includ
4、ing melody structure, music contains skills, etc. Its technical difficulties to enumerate PuLi way carries on the detailed analysis He created the fourth violin concerto has become the violin in the literature of excelle
5、nt products. To the “fourth dimensional urdang violin concerto“ as an example, the first is through the understanding of the composer and music, followed by the analysis of the a concerto performing skills, again is to f
6、urther understand how to grasp the style of a work. Finally through the overall analysis of this concerto to summarize how to pull up a violin concerto, so as to improve the playing of the violin technique. This paper is
7、 divided into four parts: the first part of the combination collection and review of the literature, summarized the subject research of theoretical and practical significance. Considering the dual role as a violinist and
8、 composer, d urdang created its playing techniques with the music of a violin concerto is necessarily related to promote, so in the second part analyze the composer play and creation background, as the detailed analysis
9、of the theoretical basis for the next part of the works; The third part of the fourth dimensional urdang violin concerto the first movement of the music ontology analysis, summarizes the whole text analysis, through the
10、analysis of the structure of music for each movement, it is concluded that the work of analysis of CLS passages; Finally, the fourth dimensional urdang violin concerto appeared in the play of the first movement of the di
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