毛焰繪畫作品中的模糊性_11897.pdf

1、學(xué)校代碼：10270分類號(hào)：J20學(xué)號(hào)：122200621碩士學(xué)位論文論文題目：毛焰繪畫作品中的模糊性學(xué)院：美術(shù)學(xué)院專業(yè)：美術(shù)學(xué)研究方向：具象油畫（坦培拉）研究生姓名：崔燕指導(dǎo)教師：侯偉完成日期：2015年3月論文題目：毛焰繪畫作品中的模糊性學(xué)科專業(yè)：美術(shù)學(xué)學(xué)位申請人：崔燕AbstractbstractMrZhongHanstatesinanarticleaboutOutlineofProblemsaboutRealisticOilPa

2、intingthat“Chineseoilpaintingis‘realistic’fromthelingmoment”.Traditionalrealisticpaintingwhichpursuitsexplicitdistinctpaintingstylemakesconcretecleardepictionofobjectiveobjects’externalappearanceonthecanvas.Fromthe“l(fā)ingm

3、oment“traditionalrealisticpaintinghasstarteditsenduringstayinbloodvesselsofChineseoilpaintingstillmaintainsadominateroleevennow.Inthe1990snewideasmediaintermediariesexperimentsemergedinendlesslyfloodedtheentirefieldofChi

4、nesepainting.Theybroughtusnewdirectionsaswellasficklepaintingenvironment.InspiteofimpactsofthesecomplexdiversepaintingfmsMaoYanalwaysremainedsobertookupthetraditionalclassicpaintinglanguagetoexplehisowntechniquesofcreati

5、onexpression.Hedevotedhisselftopresentingcontemparyspiritualqualitieswithinthelimitedspaceshowingthecommonmentalstateofcontemparypeoplethroughsensitivefuzzyambiguouscreationtechniques.InwksofMaoYantheexternalvisibleobjec

6、tiveconcretefmofpeopleanimalsareputinthesubdinateplacewhilementalstatebecomesthegistofthewholewk.Thetraditionalpaintingrequiresclearlycompletelydelineationofallobjectsindertomaketruerepresentationofthings.Butthiskindofte

7、chniqueofexpressionisobstructivetosomeextentasitlimitsvisualmentalspaceofpainterstheaudience.HoweverinMaoYanspaintingwhatweseeissimplifiedfuzzyobscurehazyimages.Thissimplificationbynomeansweakensvisualeffectsspiritualexp