從女性主義視角解讀品特三部戲劇作品中的女性人物_22817.pdf

1、This thesis is a study on discourse analysis of characters in Harold Pinter's plays,especially female characters who have gone through an evolutional process from being passive to active.In Pinter's plays, male character

2、s attempt to control and dominate femalecharacters through discourse violence so that they can consolidate their leading position and masculine authority.At the same time, female characters fight against the masculine he

3、gemony from the initial passive acceptance to awakening and then to the last active resistance, using discourse as a weapon to obtain their rights and independence and establish their own identities.Harold Pinter lived a

4、t the booming period of the feminist movement.However he was a male playwright with patriarchal ideology.This finally leads to the complexity of his female images in his plays, making them both being passive and active.<

5、br>　　Selecting Pinter's early play The Room, mid-term play The Homecoming, and late play Mountain Language as study objects, this thesis, in terms of the perspective of feminism, tries to interpret discourse of female ch