唐代前期(618年~755年)服裝的演變及“胡服盛行”風(fēng)尚探析_第1頁(yè)
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1、西北師范大學(xué)碩士學(xué)位論文唐代前期(618年~755年)服裝的演變及“胡服盛行”風(fēng)尚探析姓名:魯科科申請(qǐng)學(xué)位級(jí)別:碩士專(zhuān)業(yè):歷史文獻(xiàn)學(xué)指導(dǎo)教師:劉再聰2008-06­ 5 ­ Abstract Tang Dynasty isn’t only a highly developed period on politic, economy and culture,but also the thrilling stage of

2、costumes.Especially in flourishing Tang period, China’s economy and culture have a full development. The whole society shows a thrilling scene. Such a stable political situation provides favorable conditions for the refo

3、rm and development of the clothing system . Hu, mainly refers to some ethnic minorities (such as Xianbei, Hun, Qiang, Turks, etc.)in China’s northern edge and Xiyu. Their culture is different from Han’s cultural system

4、, which was in a strong position in Central Plains. They are impacted and influenced by Han cultral system, which meanwhile affects Central Plains Han nationality in their own unique cultural characteristics and graduall

5、y penerates people's lives. Tang is such a case, which is advancing the choice, transformation, absorption of the external dynamic culture on the base of the native culture.So it achieves extraordinary artistic achie

6、vement on the history of Chinese costumes and makes Tang’s arts of clothing reach a insurmountable degree. Tang’s clothing art is a successful epitome “used“ .It maintains on the base of the core of the traditional cult

7、ure of Central Plains with its own characteristics to choose boldly, absorb dynamically, innovate and develop. It provides a good example of the succession, drawing and Innovation of contemporary clothing. This paper foc

8、uses on the background of prevalence of Hu’s clothing and the influences of the style, graphic design, color performance of clothing by comparing way on the clue of many factors of costumes and cultural prosperity in Tan

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