威爾第歌劇西蒙.博卡涅格拉兩個(gè)男中音角色音樂(lè)形象與演唱研究

1、南京藝術(shù)學(xué)院碩士學(xué)位論文威爾第歌劇《西蒙.博卡涅格拉》兩個(gè)男中音角色音樂(lè)形象與演唱研究姓名：張劍申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂(lè)學(xué)（聲樂(lè)表演）指導(dǎo)教師：李雙江；婁文利2011-05-10IIAbstract Italian composer Giuseppe Verdi (1813-1901) was the greatest opera composer in the 19th century’s Italy or even in the

2、 whole world. One of his masterpieces created during his interim is Simon Boccangra, which is often played as a repertoire on world opera stages. Focusing on two male characters in that opera, i.e., Simon and Paul, this

3、article analyzes and studies the opera from its background, the theater images of the two characters, their musical images, and the characteristics of the performing. The musical and performing analysis above aims to pro

4、vide theoretical basis for performers to interpret the two characters better. After a short introduction to the creation background and characteristics of the opera, the article starts its three sections. Section 1: Anal

5、ysis of Simon and Paul’s Theater Images. Simon and Paul’s personalities and characteristics are analyzed in this section from the angle of their theater images. Section 2: Analysis of Simon and Paul’s Musical Images. Si

6、mon and Paul are discussed here from the perspective of musical creation. Section 3: Research on Performing of Simon and Paul. The development context of the two characters’ identity and personality in the opera is discu

7、ssed here to draw some conclusions about their singing and performing, and three versions of performance are discussed and analyzed. Key Words: Verdi; Simon Boccangra; Simon; Paul; theater image; musical image; research