對(duì)貝多芬幻想曲藝術(shù)特色的探析以g小調(diào)幻想曲(op.77)為例

1、西安音樂學(xué)院碩士學(xué)位論文對(duì)貝多芬幻想曲藝術(shù)特色的探析以《g小調(diào)幻想曲》（OP.77）為例姓名：白艷申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：鋼琴演奏與教學(xué)指導(dǎo)教師：程天健;賀力20100101西安音樂學(xué)院碩士論文 Abstract Abstract Abstract Beethoven in 1809 which create

2、d the first 《g minor Fantasia》（OP.77），is Beethoven for piano and for a Fantasia。At this time, when the mid-to late Beethoven transition period。The diverse works of tone, richer, not only the use of improvisation,

3、complex structure and the freedom of music, both the general characteristics of Fantasy genre, but also has its own characteristics, they have focused on Beethoven's piano music embodies the essence of language ,

4、 It is Beethoven's integration of the various period styles。 In this paper, 《g Minor Fantasia》(OP.77) as the object of study, through the history of the genre Fantasia context, characteristics and classification of

5、knowledge, background on the creation of this work, musical structure, musical form and performance interpretation of specific analysis, combined with their actual playing experience, and explore the spiritual es

6、sence of their work, analysis of the spiritual content of the work, so as to better future performance in teaching this work of art features and a solid foundation for music content。 Key Words Key Words Beethoven ， Fanta