西方繪畫(huà)平面化繪畫(huà)語(yǔ)言的探索與實(shí)踐

1、學(xué)校代碼：10270 分類(lèi)號(hào)：J213 學(xué)號(hào)：122502329碩士專(zhuān)業(yè)學(xué)位論文《西方繪畫(huà)平面化繪畫(huà)語(yǔ)言的探索與實(shí)踐》專(zhuān)業(yè)學(xué)位類(lèi)別： 藝術(shù)碩士專(zhuān)業(yè)領(lǐng)域： 美術(shù)作者姓名： 鄒艷婷指導(dǎo)教師： 韓巨良 王安莉答辯日期： 2015 年 5 月 27 日上海師范大學(xué)碩士學(xué)位論文 AbstractAbstractEveryone knows the history of the world is a complex system，and paint

2、ing is a part ofthe art history.Start from the Renaissance in the 15th century,Oil painting appeared.From theclassical period to the impressionist period to period of modern art，and we found that the oilpainting just als

3、o existed for six hundred years.Due to the revolution experience many times,artistic thinking has gradually shifted from traditional to modern，and With the transformationof painting attitude, inevitably bring about the c

4、hange of painting language.In the traditionalpainting emphasizes the perspective principle, the sketch relations, and the painting languageof light and shadow fade away.More and more artists chose plane painting language

5、.Our experience and understanding of beauty is also derived from the long history andlife.A continuation and the growth of personal artistic creation is the predecessor of manyartistic exploration.I try to find a way in

6、art history to bring more possibilities for my ownpainting language, And I will explore the plane way of paintingevolution process of westernart.This thesis explore the evolution of the painting complanation mainly fromt

7、he techniques of language of western painting (oil painting) and research.This thesis refers tothe oil painting language planarity was compared with traditional painting from the perspectiveof the comparison of three dim