解讀三木稔之狂想曲

1、學(xué)校代碼： 10072 學(xué)位類型： 專業(yè)型 學(xué)號：20102021 TIANJIN CONSERVATORY OF MUSIC 碩士學(xué)位論文 MASTER'S DISSERTATION 論文題目： 論文題目： 解讀三木稔之《狂想曲》 解讀三木稔之《狂想曲》 Title Title：Interpretation of In

2、terpretation of“Rhapsody Rhapsody” Miki Minoru Miki Minoru 論文作者： 論文作者： 王欣欣 王欣欣 指導(dǎo)教師： 指導(dǎo)教師： 王小月 王小月 學(xué)科專業(yè)： 學(xué)科專業(yè)： 音 樂 研究方向： 研究方向： 古箏演奏 古箏演奏 答辯

3、時間： 答辯時間： 定稿時間： 定稿時間： Abstract Abstract Zheng,since the Tang Dynasty was introduced into Japan.after the years,carving and exotic culture of baptism,showing a distinct and Chinese zither

4、 win support among the people of gentle temperament,Japanese Koto music is more than a bit of pride and deep. Japanese Koto circles in the late sixty's and early seventy's there was a significant change——Tw

5、enty-One string shin- Koto birth.This change in the beginning of this century also affected the Chinese zither circles.This change of Representatives is world-renowned Japanese composer Miki Minoru.Miki Minoru created a

6、 large number of works for the Japanese new kite.In the beginning of this century,professional institutions Zheng professional teachers and students began experimenting with China twenty-one string zither plating J

7、apanese shin-Koto works. This paper choose Miki Minoru one of representative works of Guzheng music 《Rhapsody》 analysis, and how they performed in the practice of the technique and the Japanese Koto music performance stu