論勃拉姆斯諧謔曲(op.4)的主要?jiǎng)?chuàng)作特征及演奏初探

1、學(xué)校代碼：10270 分類號(hào)： J6 學(xué)號(hào)：122502282碩士專業(yè)學(xué)位論文論勃拉姆斯《諧謔曲》（Op.4）的主要?jiǎng)?chuàng)作特征及演奏初探On Brahms' Scherzo “(Op.4) ofPreliminary main creative features and performance專業(yè)學(xué)位類別： 藝術(shù)碩士專業(yè)領(lǐng)域： 鍵盤表演藝術(shù)作者姓名： 金晨冉指導(dǎo)教師： 楊巧云答辯日期： 2015 年 5 月 28 日上海師范大學(xué)學(xué)

2、位論文 英文摘要IIAbstractBrahms (1833 - 1897), German composer, pianist. The creation of a large numberof works, in the symphony, chamber music, art songs, piano and other genres arerepresented. Especially it is extremely remar

3、kable characteristics in pianoworks,Brahms although the romantic period but advocating classical spirit, he has aspecial and important position in the history of the development of worldmusicculture. Each of his creation

4、 stage have different degrees of change, the early tothe late formed a strong contrast in the style tone. But there has been one constantis,he sought to classical creation based on romantic music, and will also be a hand

5、 to thefolk, also has in the folk music material reference characteristics. And has a strongcharacter and high morale and fullness of sound effects in his early works.This paper around the Brahms Scherzo opus 4 to explor

6、e the early piano works ofsignificant style, main creative feature of this song, playing techniques to conduct acomprehensive analysis, it summarizes how to grasp the work style of the framestructure, rhythm characterist