以黃胄藝術(shù)實(shí)踐為例淺議速寫對寫意人物畫的意義

1、 以黃胄藝術(shù)實(shí)踐為例淺議速寫對寫意人物畫的意義 II ABSTRACT Freehand figure painting is the earliest mature and made brilliant achievements in the art form of the earliest traditional Chinese painting system, song and Yuan Dynasty, the paint

2、ing before the rise has been occupying the leading position of Chinese painting history. With the introduction of Western science education system in twentieth Century after the realistic and freehand brushwork figure pa

3、inting has an important breakthrough in the modeling method, pen and ink language, artistic style, Huang Zhou as a period of great painter, his art practice, art thought a great pushing effect on the development of conte

4、mporary freehand figure painting, influenced many art practitioners, is during the new period of Chinese art history milestone figure. Huang Zhou always adhere to the real life is the source of all art, this is his unwav

5、ering artistic thought. He always praise the fiery age, people of all ethnic groups compatriots, lovely animals creatures. These art idea and art practice is advocated to face life, face the reality, draw from material a

6、nd inspiration and then into work. Sketch became his best practice tools these artistic thought, to sketch painting became the Huang Zhou art the most typical characteristic, also in modern painting unique, one of the ch

7、aracteristics that distinguish from other artists. This paper through the analysis of a large number of rigorous interpretation of data investigation, vivid and typical works, in order to create the time order, describes

8、 the China freehand brushwork in traditional Chinese painting master Huang Zhou in freehand figure painting has made great achievements in painting and its rough life road. Through the review of Huang Zhou skill path, ar

9、tistic philosophy, freehand sketch, combined with the figure painting freehand brushwork figure painting and contemporary art college students writing problems, analyze the great achievement of Huang Zhou “sketch paintin

10、g“ art style and made, and the sketch training for the positive significance of freehand figure painting in the aspect of modeling ability, pen and ink language and the creation of composition, microstructure and artisti

11、c style of 以黃胄藝術(shù)實(shí)踐為例淺議速寫對寫意人物畫的意義 IV 目 錄 1.緒論............................................................................................................................ 1 1.1 論文研究的背景及目的意義.............................

12、.............................................. 1 1.1.1 論文研究的背景...................................................................................... 1 1.1.2 論文研究的意義......................................................

13、................................ 1 1.2 國內(nèi)研究現(xiàn)狀及發(fā)展現(xiàn)狀............................................................................... 2 1.3 研究方法..............................................................................

14、............................. 2 1.4 論文創(chuàng)新點(diǎn)....................................................................................................... 2 1.5 論文有所規(guī)避和局限..........................................................

15、............................. 2 2.黃胄的履歷與社會(huì)背景............................................................................................ 4 2.1 藝術(shù)啟蒙階段.....................................................................

16、.............................. 4 2.2 人生的轉(zhuǎn)折....................................................................................................... 5 2.3 五、六十年代第一次高峰期......................................................

17、..................... 6 2.4“文革”時(shí)期.................................................................................................... 7 2.5 八、九十年代巔峰時(shí)期....................................................................

18、............... 7 3.黃胄的藝術(shù)特征........................................................................................................ 8 3.1 從生活出發(fā)，鮮明的創(chuàng)作主題...................................................................

19、.... 8 3.2 全新的筆墨，激情的語言............................................................................... 9 3.3“速寫入畫”非傳統(tǒng)的入門風(fēng)格.................................................................. 10 4.黃胄“速寫入畫”對寫意人物畫的影響.......

20、....................................................... 12 4.1 速寫是提高寫意人物畫造型能力與筆墨功夫的重要手段......................... 12 4.1.1 多畫速寫有助于提升寫意人物畫造型的能力................................... 12 4.1.2 提升寫意畫中筆墨的掌控能力離不開多畫速寫...........

21、.................... 14 4.2 速寫能提升寫意人物畫創(chuàng)作中整體把握能力............................................. 15 4.3 速寫可以反應(yīng)藝術(shù)家的藝術(shù)態(tài)度................................................................. 18 4.4 速寫對于寫意人物畫家自我風(fēng)格形成有著十分重要的作用.....

22、................ 21 結(jié) 論............................................................................................................................ 24 參考文獻(xiàn)...............................................................