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1、OnBlackHuminCatch22AbstractThispaperfocusesonthestudyofblackhuminCatch22whichisoneofthetypicalrepresentativebooksofblackhum.AtfirstitintroducestheauthofCatch22JosephHellerthisnovel.thenitproceedstomakeageneralexplanation

2、ofblackhum.Inthefollowingsectionsthispapermainlyanalyzesblackhumincatch22throughfouraspectsincludingtheptrayalofmainactersthearrangementofthestructurethethemesofthenovelthefeaturesoflanguage.Allinallcatch22isoneofthemost

3、imptantwksofblackhumthispaperwouldbehelpfulfthereaderstohaveabetterunderstingofthenovelcatch22.Keywds:blackhumCatch22paradoxicalabsurd1.IntroductionJosephHeller(19231999)isanAmericannovelistsplaywrightshtstywriter.Asoneo

4、fthemostprominentAmericancontemparynovelistshisbestknownnovelCatch22isrecognizedasamajwkofthepostwarperiodremainshismostfamousacclaimedwk.BecausehismarveloususeofblackhumsatireinhisliterarycreationHellerbecomesoneofthere

5、presentativesofblackhumanindispensableliterarytrendwhichthrivedintheUnitedStatesin1960s.HewasbninBrooklynin1923.In1942HellerenlistedintheArmyAirCps.In1944hiscadettrainingcompletedhewasdispatchedtoCsicacohereheservedasawi

6、ngbombardieronsixtycombatmissionsuntilhegothonablydisged.HencehismilitaryexperiencesaresimultaneouslyreflectedinCatch22.AfterthewithdrawalfromtheWldWarⅡheenjoyedalongcareerasawriterateacher.HellerwroteCatch22whilewkingat

7、aNewYkCitymarketingfirmproducingadcopy.ApartfromCatch22hisbestsellingbooksincludeSomethingHappenedGoodasGoldPictureThisGodknowsClosingTime.Heller’swksareacterizedbyasatiricalsenseoftheabsurdspeakingoutagainstthemilitaryi

8、ndustrialcomplexthoseganizedinstitutionswhichseemtomanipulatepeople’slivesinthenameofreasonmality.ButmostsignificantisHeller’smasterfulemploymentofblackhum.Heisrealisticabouthisskills:“Icanbefunny—fonehalfpageatatime…Ica

9、nbehumousinseveralways—withironywithdialoguewithfarcicalsituationsoccasionallywithaluckyepigramanaphism.Catch22asJosephHeller’smasterpiecetellsthestyofCaptainJosephYossarianhisattempttoavoidservinginWldWarⅡbyfeigninginsa

10、nity.HoweverYossarianisthwartedbythedoct’sargumentthatifheweretrulymadthenhewouldendangerhislifeseektofightmemissions.Ontheotherhifnotriskhislifetosaveothers’.Inawldwherelifeiscasuallylostitismepracticaltoredefineheroism

11、assimpleselfprotection.TheproposalofselfprotectionbringsaboutanintenseconflictfYossarian.Eventhoughheisdeterminedtosurvivethebarbaricwaratallcostshenohelesscaresfhisbattlecompanionsistraumatizedbytheirdeaths.Hisconstantd

12、readatSnowden’sdeathstemsbothfromhiscompassionfSnowdenfromhisfrightenedrealizationhisownbodywillcollapseatthefirstblow.IntheendwhenhewasofferedachoicebetweenhisownsecuritythesecurityoftheentiresquadronYossarianisunableto

13、choosehimselfoverothers.ThisconcernaboutotherscomplicatesthesimplelogicofselfpreservationfmsitsownCatch22thatisinvisibleinwholesty:lifeisdevaluedwithamalconcernfothers’livesbutamalconcernfothers’livesendangersone’sownlif

14、e.HellercreatesatrapofmalityfYossarianitseemsthatYossarianhasnootherchoicebutstruckindesperation.Neverthelessheultimatelyescapesthisconundrumbyliterallywalkingawayfromthewar—adeterminationthatrefusesboththeopptunityofbec

15、ominganofficerwhoavoidperilsattheexpenseofhisarmythatofremaininganmalsoldierwhoendangershimselffabsurdreasons.AnotheracterisindispensabletomentionaboutisMiloMinderbinderwhoisoneofthemostcomplexfiguresinthenovelthesyndica

16、tehemanagersisoneofitsmostelusivesymbols.“Heisasymbolofasystemthatliesatthebottomofalltheabsurdity:thecapitalistfreeenterpriseptrayedasimmalamenacetohumansurvival.”Inonewayhetemptstheinnocentwithchocolatecoveredcottonpro

17、miseofafastwealthintheotherwayheispersonificationofdeathwhoshouldfailtooffertheurgentmedicationwhenSnowdenisdying.Milo’shypocriticalmercenarynatureistotallyunveiled.Miloisacrusaderagainstthearbitraryregulationsofthemilit

18、arybureaucracyinonesensewhilehecertainlyrepresentsanindividual’striumphinthefaceofadehumanizingganizationevenhealsolacksmalsconsiderationfothers.Fgaininghiswealthpowerhehasbecomeliketheauthitarianfcesheusedtodefysacrific

19、ingrealvaluefpersonalachievements.Whatismetherearealotofotherdistinctiveactersfinstancethe“soldierinwhite”whowasencasesfromheadtotoeinplastergauzethedubiousTexanwhoistheonlyonetalkingwiththe“soldierinwhite”.MajMajmajwhos

20、etragedyinlifeisthatheresemblesamoviestarHenryFondaonlyallowspeopletovisithimwhenheisabsentthere.rwhotalkswithcrabappleschestnutsinhismouthisbeatenupbyawheinRometopretendthatheisalreadyinsane.thechaplainfakesanailmentche

21、cksintothehospitalafterhewasaccusedofunspecifiedcrimes.3.2ThearrangementofthestructureThenovelwasnarratedinthirdpersonbutmostofeventsarereflectedthroughYossarian’spointofviewthewholestyreadslikeanightmarereminiscingabout

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