王海鸰電視劇作論

1、南京師范大學(xué)碩士學(xué)位論文王海鸰電視劇作論姓名：孫倩申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：藝術(shù)學(xué)；電影學(xué)指導(dǎo)教師：陳吉德2009-04-25Abstract IIAbstract Among numerous marital and love teleplay creation, Wang Hailing has shaped her unique style and brand. Under the guidance of sociology, pl

2、aywright theory, study of TV and feminism, this paper studies Wang and her teleplays according to the thorough unscramble of her plays. This paper starts with the theme of Wang’s teleplay and abstracts three deep-stated

3、topic, namely the modernity of family, the betrayal of marriage and the transmutation of female which rooted in marriages and families.The following chapters discusses the characters, slots and structures of her plays. T

4、he second chapter mainly discusses the design of characters and the neat forming pictures of relationships. At the basis of explaining the main and subordination plots, the third chapter concludes four plot design skills

5、, suspension, foreshadowing, repeat and coincidence. The forth chapter focuses on dramatic structure and novel structure of Wang’s teleplay. In consideration of the study of the theme and body of her plays, the style of

6、Wang’s teleplay is explained in the fifth chapter, that is aesthetic narration of ordinary life, orientalized view of feminism, philosophy filled dialogue. KEY WORDS: Wang Hailing’s teleplay, theme, character, slot, stru