當(dāng)代中國(guó)民族聲樂(lè)演唱藝術(shù)多樣發(fā)展研究

1、 編 號(hào)： 碩士學(xué)位論文 碩士學(xué)位論文 當(dāng)代中國(guó)民族聲樂(lè)演唱藝術(shù)多樣發(fā)展研究 培 養(yǎng) 單 位： 音樂(lè)學(xué)院 專 業(yè) 名 稱： 民族聲樂(lè)演唱與教學(xué) 指 導(dǎo) 教 師： 張書斌 研 究 生： 肖倩 完 成 時(shí) 間： 2016 年 10 月 沈陽(yáng)師范大學(xué)研究生處制 同等學(xué)力 Study on the development of contemporary Chinese folk vocal and dive

2、rse Abstract With the progress of society, inheritance and development of Chinese folk music has been, as an important part of folk music of folk songs, its unique music style and folk art, from traditional to modern sty

3、le along with a constant development and innovation. Whether singing or creation, folk art has achieved unprecedented prosperity, and gradually became a shining star on the world stage. Today, the euphonic reference folk

4、 ventured to the West, combination of elements makes the folk songs of the times has a new character, these changes further demands on the traditional vocal music. In this paper, the diversified development of contempora

5、ry national vocal art was fully combed and system analysis. First regional cultures and different periods of history to describe the historical inevitability. Next to “pass“, “beauty“ as an example, look at contemporary

6、breakthroughs and innovation of national vocal art. Finally, adapted from the traditional folk song, ““ new folk music “and many other vocal works of contemporary new direction for diversified development of national voc

7、al art, and thus necessary to investigate the singer's talent and training. Anything in the course of its development there will always be problems, this article tries to these problems thinking and put forward their