淺談嗩吶的傳承與發(fā)展.pdf

1、天津音樂(lè)學(xué)院碩士學(xué)位論文淺談嗩吶的傳承與發(fā)展姓名：高長(zhǎng)春申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：藝術(shù)學(xué)；音樂(lè)學(xué)指導(dǎo)教師：范國(guó)忠2010-01-08Abstract Abstract In this paper, the author's own learning experiences, and other research results based on the integrated application of literature

2、data collection, collation and integration of law, further interpretation of the history of the development suona, and the notation in the evolution of the suona and reform proposed in this section a new point of view

3、. Paper is divided into three parts. Introduction section briefly describes the origins and history of the suona developments in China. The first chapter was the living conditions of suona artists, artists of how the a

4、rt heritage, suona traditional repertoire and playing techniques from the historical evolution of four aspects suona heritage. The second chapter by writing to the reform of the instrument itself suona, the training

5、and professional development of music suona suona notation of the evolution and reform, and the author of the suona prospects for future development in four areas to illustrate the suona is moving towards specialization

6、, systematic development. Suona in our country has experienced several hundred years of development and change, has been deeply rooted in people's lives. Especially after the founding, suona business presents a scene

7、 of prosperity, an endless stream of new works and young performers, the development of China's suona played an important role in promoting. Suona in the future path of development, properly handle the inheritance an