101中英文雙語珠寶首飾設計專業(yè)畢業(yè)設計外文文獻翻譯成品現(xiàn)代首飾的形式和材料

1、<p>　　此文檔是畢業(yè)設計外文翻譯成品（ 含英文原文+中文翻譯），無需調整復雜的格式！下載之后直接可用，方便快捷！本文價格不貴,也就幾十塊錢！</p><p>　　外文標題：Forms and Material of Modern Jewelry</p><p>　　外文作者：Xin Wang, Kailing Zhang</p><p>　　文獻出處

2、:2017 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design </p><p>　　英文2168單詞，11589字符，中文3487漢字。</p><p>　　Forms and Material of Modern Jewelry</p>

3、<p><b>　　Abstract:</b></p><p>　　Nowadays, there are much plenty of modern jewelry that made of other materials except for those that made of traditional materials such as gold, silver, diam

4、ond, etc. The emergence of concept jewelry has made jewelry design more diversify, and any material can be made into vivid modern jewelry by artists with their appropriate craftsmanship. The decorative property, practica

5、l property and simple processing methods of modern jewelry inspire people who love jewelry design be involved in this indus</p><p>　　Keywords-jewelry design; forms; material; cultural source; popular element

6、s</p><p>　　The original meaning refers only to ornaments worn on heads, but now it refers to ornaments worn in various parts of the human body, such as pins, earrings, pendant, ring, wrist ornaments, waist d

7、ecorations and other accessories. The emergence of jewelry is an important marker of human being's cultural and ideological progress. The emergence of jewelry originated from the instinctive physiological demands of

8、sense of beauty, and "making the body beautiful" is the most original as well as the mos</p><p>　　In my opinion, it is necessary to achieve a goal, that is, to put those charming and shining Chines

9、e elements arose form Chinese folk arts into modem jewelry design while taking international elements into consideration, so as to create jewelry which satisfy the demands of market as well as meet individual needs and m

10、ake the forms and materials of jewelry much diversified.</p><p>　　I.REDEFINITION OF THE FORMS AND MATERIAL OF</p><p>　　MODERNJEWELRY</p><p>　　To explorer more ideas and methods of m

11、odem jewelry design, we need to get a new understanding of the existing forms and material of modem jewelry. What had happened to the forms and material of modem jewelry? And what kind of forms are they now? From body or

12、nament that made of animal bones, feathers, stones and other natural materials in the primitive society, to those made of expensive materials in middle ages, then to the concept jewelry which are made of abandon types of

13、 modem materials with</p><p>　　The value of jewelry that made of traditional material such as gold and silver is almost shown in the material; and the price of a piece of jewelry mainly depends on the materi

14、al. In both visible and invisible social hierarchy, the traditional concept of jewelry is closely linked with the jewelry, and owning to the unadvanced processing technology as well as very narrow space for creation, the

15、 form of jewelry are limited, and the materials that used to made jewelry are mainly those rare material</p><p>　　The arrival of new media society is the driving source for the spread of the diversity as wel

16、l as uncertainty of jewelry's forms and materials. Popularity of multimedia and Internet, high speed cultural transmission and mutual infiltration which caused by changes information carrier and advanced processing m

17、ethods owning to a variety of technological means, all of these factors offer opportunities to the diversity as well as uncertainty of jewelry's forms and materials. Information around the wo</p><p>　　II

18、.FIND SOMETHING LOCAL FROM THE CHINESE CULTURAL SOURCE</p><p>　　5,000 years of Chinese civilization gives its styles of jewelry strong Chinese and oriental characteristic as well as profound meaning. In the

19、process of human being's chasing cultures around the world, those typical traditional Chinese terms will always attract people's attention. As a Chinese, each of us shall inherited and carry forward the tradition

20、al culture by taking it as each person's responsibility. We should follow closely our local culture, find something local from the Chinese cultur</p><p>　　The types of classical traditional Chinese decor

21、ative arts are numerous, and in this paper, we will experience Chinese people's wisdom by viewing Chinese folk arts and crafts works. The love of beauty is Chinese people's nature, and jewelry have been their own

22、 belongings since ancient times. Chinese folk ornaments has a great variety, there are from headwear, crown ornaments, pendant, wrist decoration, feet decoration, waist decorations, etc., which have fine and strict workm

23、anship, simple and u</p><p>　　For the multi-ethnic Chinese nation, the artistic styles and a wealth of jewelry styles of each nations provides a wealth of creative inspiration for the modem jewelry design. F

24、rom the view of current market , ornaments of Zhang nationality and those of Miao nationality accounts for the majority market share. In details, ornaments from Miao nationalit are magnificent with abstract beauty. The p

25、atterns on ornaments of Miao nationality are mostly plants, flowers, myths and legends, etc. , which ha</p><p>　　However, ornaments of Zhang nationality are gorgeous, gentle, plain, with a focus on color, br

26、illiant rather than fickleness, which are deeply affected by religious culture of Tibetan people. Most of the ornaments of Zhang nationality have a string of beads, and mixed materials and mix and match style are often a

27、pplied to modem jewelry design.</p><p>　　III.FOLLOWCLOSELY THE INFORMATION ON FASHION AND GRASP THE FASHIONABLE ELEMENTS.</p><p>　　The access to information on fashion is important to jewelry. J

28、ewelry designers can find inspiration through information analysis and market analysis, which will have an impact on the form of jewelry production, processing methods and material selection. From the perspective of visu

29、al sense, the meaning of a piece of jewelry lies in the visual ideas as well as its form's power shown in ornament itself, decorative art and decorative activities. Fashion trends shows what people love and care at a

30、 </p><p>　　The ways to access to information on fashion are diversified. Various fashion magazines, films and television programmes, on-line news and information, relevant journals in the field of design, fa

31、shion brand presentation, street culture, etc. , all of them will give people all kinds of fashion, including the pattern texture, appearance and materials, color, processing methods and raw materials, design concepts an

32、d other information elements. Information storage is proportional to the outbreak of</p><p>　　IV.ANALYSIS ON JEWELRY MARKET BOTH AT HOME AND ABROAD</p><p>　　China's jewelry market share has

33、been among the top with a few years, only second to the United States and Japan, while its market share was only 1% of the total market in previous years. In 2006, thanks to China's rapid economic development as well

34、 as a substantial increase in people's standards of consumption, jewelry has become the third largest consumer hot spot for people in China (the top two are house and automobile). In China, some famous and influentia

35、l jewelry design companies are Hong</p><p>　　Modem jewelry design is a process during which the subjective thinking and objective conditions are coordinated and conflicts are constantly resolved. Modem desig

36、n is derived from the context of modem life, life inspires the design inspiration to create a modem aesthetic principles, and design will guide the change of concepts in life. As a pioneer of the times, the emotion-orien

37、ted jewelry release people's emotional feelings. As a good product, it should not only have a good appearance as well </p><p>　　In the face of complicated jewelry design cultures, we should value our own

38、 culture, and absorb the essence of others as well as inherit classic to innovate by understanding other culture. classical heritage, in understanding the analysis of innovation. China has a jewelry culture with a long h

39、istory, which had laid a solid foundation for modem jewelry design. Therefore, we have reason to believe that China's jewelry designs will lead the world trend of jewelry design in the near future .</p><p&

40、gt;　　REFERENCE:</p><p>　　[I] Zhu Heping, History of Chinese Arts and Technology, Hunan University Press,2001</p><p>　　[2] Li Guozhong,Shen Shuya, Jewelry & Culture, Literary Publishing Canad

41、a, 1999</p><p>　　[3] Xu Siming, History of Chinese Arts and Technology, Shandong Education Press,2002</p><p>　　[4] Zhu Heping, History of Chinese Arts and Technology, Hunan University Press,2001

42、</p><p>　　[5] Pan Fujing. A new concept in fashion accessories. China Forestry Press, 2002</p><p>　　[7] Pan Fujing. A new concept in fashion accessories. China Forestry Press, 2002</p>&l

43、t;p>　　[8] Li Yu Fen. Fairy land PMC Hand Silver Fashion Jewelry. Shantou: Shantou University Press, 2003</p><p><b>　　譯文：</b></p><p>　　現(xiàn)代珠寶的形式與材料</p><p><b>　　摘要：

44、</b></p><p>　　如今，除了那些由金，銀，鉆石等傳統(tǒng)材料制成的珠寶外，還有很多其他材料制成的現(xiàn)代珠寶。概念珠寶的出現(xiàn)使珠寶設計更加多樣化，任何材料都可以制作由藝術家們用適當?shù)墓に囍谱鞒錾鷦拥默F(xiàn)代珠寶?，F(xiàn)代珠寶的裝飾性，實用性和簡單的加工方法激發(fā)了喜愛珠寶設計的人們參與這個行業(yè)。在日常生活中，一件合適的美麗珠寶表現(xiàn)出佩戴珠寶的同時提升他或她的個性。由于這些原因，有必要實現(xiàn)一個目標，即將中國民

45、間藝術中出現(xiàn)的那些迷人閃亮的中國元素融入現(xiàn)代珠寶設計中，同時兼顧國際元素，從而創(chuàng)造出滿足要求的珠寶。市場以及滿足個人需求，使珠寶的形式和材料多樣化。</p><p>　　關鍵詞 - 珠寶設計;形式;材料;文化來源;流行元素</p><p>　　原意僅指佩戴在頭上的飾物，但現(xiàn)在指的是佩戴在人體各個部位的飾物，如別針，耳環(huán)，吊墜，戒指，手腕飾物，腰飾等配飾。珠寶的出現(xiàn)是人類文化和思想進步的重要

46、標志。珠寶的出現(xiàn)源于美感的本能生理要求，而“使身體美麗”是珠寶最原始也是最基本的功能。如今，正式的美女仍然是什么樣的現(xiàn)代珠寶。如今，有很多現(xiàn)代珠寶由其他材料制成，除了那些由金，銀，鉆石等傳統(tǒng)材料制成的珠寶。概念珠寶的出現(xiàn)使珠寶設計更加多樣化，任何材料都可以制作藝術家用適當?shù)墓に囍谱魃鷦拥默F(xiàn)代珠寶。在當代藝術的世界里，許多渴望實現(xiàn)設計夢想的人都參與了珠寶設計?，F(xiàn)代珠寶的裝飾性，實用性和簡單的加工方法激發(fā)了喜愛珠寶設計的人們參與這個行業(yè)。在

47、日常生活中，一件合適的美麗珠寶表現(xiàn)出佩戴珠寶的同時提升他或她的個性。珠寶已經出現(xiàn)在耀眼的時尚舞臺上以及普通人的生活中。</p><p>　　在我看來，有必要實現(xiàn)一個目標，即將中國民間藝術中那些迷人閃亮的中國元素融入現(xiàn)代珠寶設計中，同時兼顧國際元素，從而創(chuàng)造出滿足市場需求的珠寶。以及滿足個人需求，使珠寶的形式和材料多樣化。</p><p>　　一，現(xiàn)代首飾形式和材料的重新定義</p&g

48、t;<p>　　為了探索現(xiàn)代珠寶設計的更多想法和方法，我們需要對現(xiàn)代珠寶的現(xiàn)有形式和材料有一個新的認識?，F(xiàn)代珠寶的形式和材料發(fā)生了什么？他們現(xiàn)在有什么樣的形式？從原始社會中由動物骨骼，羽毛，石頭和其他天然材料制成的身體裝飾品，到中世紀由昂貴材料制成的裝飾品，再到由放棄類型的現(xiàn)代材料制成的具有自由風格和價值的概念珠寶個性，我們可以說，這些年來，現(xiàn)代珠寶的形式和材料發(fā)生了很大的變化。</p><p>　

49、　由金和銀等傳統(tǒng)材料制成的珠寶的價值幾乎在材料中顯示出來;而一件珠寶的價格主要取決于材料。在有形和無形的社會等級中，珠寶的傳統(tǒng)概念與珠寶緊密相連，并且擁有先進的加工技術以及非常狹窄的創(chuàng)作空間，珠寶的形式是有限的，以及過去制作的材料珠寶主要是那些反映身份和財政資源的黃金和白銀等稀有材料。然而，現(xiàn)代珠寶的價值體現(xiàn)在他們的諾貝爾風格而不是他們的材料上。珠寶設計師正試圖找到珠寶被視為藝術的方式，他們也試圖設計具有獨立藝術價值的珠寶作為家具（飾品

50、），同時使其生動的特征得以保留。</p><p>　　新媒體社會的到來是珠寶形式和材料的多樣性傳播和不確定性的驅動源。多媒體和互聯(lián)網的普及，高速的文化傳播和由于信息載體的變化和各種技術手段的先進處理方法引起的相互滲透，所有這些因素為珠寶的形式和材料的多樣性和不確定性提供了機會。世界各地的信息可以通過互聯(lián)網進行交換和互動。設計資源，傳播可以在一瞬間共享。在西半球舉行的珠寶設計會議現(xiàn)場可以通過網絡發(fā)送到東半球進行同步

51、通信。各種文化的影響往往使設計師在敏捷思維方面更加活躍，創(chuàng)新的設計方法可能為珠寶設計帶來機會。從創(chuàng)新的角度來看，頭腦風暴應該保持在珠寶設計師的心中，他們應該重新理解和利用珠寶的形式和材料。</p><p>　　二，從中國文化來源看當?shù)氐那闆r</p><p>　　5000年的中華文明賦予其珠寶風格強烈的中國和東方特色以及深刻的內涵。在人類追逐世界各地文化的過程中，那些典型的中國傳統(tǒng)術語總會引

52、起人們的注意。作為一個中國人，我們每個人都應該以每個人的責任來繼承和發(fā)揚傳統(tǒng)文化。我們應該密切關注當?shù)匚幕?，從中國文化源頭尋找一些本土文化，因為傳統(tǒng)的視覺風格和加工技術將使中國現(xiàn)代珠寶設計更加精彩和美好。</p><p>　　中國古典傳統(tǒng)裝飾藝術的種類繁多，在本文中，我們將通過觀看中國民間手工藝品來體驗中國人的智慧。對美的熱愛是中國人的天性，珠寶自古以來就是他們自己的財物。中國民間飾品種類繁多，有頭飾，皇冠飾品，

53、吊墜，手腕飾，腳飾，腰飾等，做工精細嚴謹，簡潔獨特，圖案和字母象征著吉祥，具有典型而濃厚的中國特色，在建設中國現(xiàn)代珠寶文化中發(fā)揮著重要作用。</p><p>　　對于這個多民族的中華民族，每個國家的藝術風格和豐富的珠寶風格為現(xiàn)代珠寶設計提供了豐富的創(chuàng)作靈感。從目前的市場來看，張族和苗族的飾品占據(jù)了大部分的市場份額。細節(jié)上，苗族的飾物具有抽象的美感。苗族飾品的圖案多為植物，花卉，神話和傳說等，具有結構化的建模和隱含

54、的意義。其中一些有夸張的圖像，如苗族婦女脖子上的大銀項鏈，表現(xiàn)出民族浪漫和務實的因素，對現(xiàn)代珠寶設計產生了深遠的影響。</p><p>　　然而，張國的飾品華麗，溫柔，樸素，注重色彩，輝煌而不是浮躁，深受西藏人民宗教文化的影響。張國的大多數(shù)飾品都有一串珠子，混合材料和混搭風格經常應用于現(xiàn)代珠寶設計。</p><p>　　三、關于時尚和抓住時尚元素的信息</p><p&g

55、t;　　獲取時尚信息對珠寶很重要。珠寶設計師可以通過信息分析和市場分析找到靈感，這將對珠寶生產，加工方法和材料選擇的形式產生影響。從視覺的角度來看，一件珠寶的意義在于視覺創(chuàng)意以及其在裝飾本身，裝飾藝術和裝飾活動中所體現(xiàn)的形式的力量。時尚潮流展示了人們在特定時期所愛和關懷的東西，這顯示了當前審美趣味的大部分。從市場的全景來看，時尚元素是參與珠寶設計時需要考慮的重要因素。</p><p>　　獲取時尚信息的方式多種多

56、樣。各種時尚雜志，電影和電視節(jié)目，在線新聞和信息，設計領域的相關期刊，時裝品牌展示，街頭文化等，都會給人們各種時尚，包括圖案質感，外觀和材料，顏色，加工方法和原材料，設計概念和其他信息元素。信息存儲與設計過程中的思維爆發(fā)成正比，因此掌握正確的設計信息和當前的設計趨勢是一件完美珠寶誕生的關鍵。</p><p>　　四，國內外珠寶市場分析</p><p>　　中國的珠寶市場份額在幾年內一直名列

57、前茅，僅次于美國和日本，而其市場份額僅為前幾年總市場的1％。 2006年，由于中國經濟的快速發(fā)展以及人們消費標準的大幅提升，珠寶已成為中國人民的第三大消費熱點（前兩位是房屋和汽車）。在中國，一些著名和有影響力的珠寶設計公司是香港上海世聯(lián)珠寶有限公司，香港，周大福集團，老鳳祥珠寶公司，香港周生生控股，香港星期六福珠寶集團等，其產品在主要的購物中心有售。盡管國內珠寶行業(yè)發(fā)展迅速，但仍需要將更新的設計理念和國際設計理念引入中國珠寶設計領域。此

58、外，中國珠寶設計師應密切關注當?shù)匚幕粩喔伦约旱睦砟?，設計出更具時尚，更前衛(wèi)的珠寶，具有中國特色。國外有許多珠寶設計學校，如精制和優(yōu)雅的洛可可風格，拜占庭風格充滿華麗元素，這使得珠寶材料展現(xiàn)出完美的效果而不是昂貴，而巴洛克風格則具有自然和浪漫的元素等?，F(xiàn)代珠寶設計傾向于集中其實用功能和概念，而設計師則是對概念設計更加開放。越來越多的珠寶設計師在珠寶設計中專注于珠寶的實用功能和美感。</p><p>　　現(xiàn)代珠

59、寶設計是一個過程，在這個過程中，主觀思維和客觀條件得到協(xié)調，沖突不斷得到解決?，F(xiàn)代設計源于現(xiàn)代生活的語境，生活激發(fā)設計靈感，創(chuàng)造現(xiàn)代審美原則，設計將引導生活中的概念變化。作為時代的先鋒，情感導向的珠寶釋放出人們的情感感受。作為一款優(yōu)秀的產品，它不僅要具有良好的外觀以及自身獨特的品牌特征，還應該展現(xiàn)出自己獨特的感受。戀人之間的一些甜言蜜語激發(fā)了對有價值的寶石設計師的心靈感應，使他們設計出“情人節(jié)的淚水”系列珠寶。這一系列的珠寶在被分手時被

60、視為戀人之間的禮物，它告訴人們這樣的設計理念：人們喜愛的經歷是珍惜和難忘，吸引人們，他們應該珍惜他們之間的愛。這一概念不僅具有重要的社會意義，而且開辟了新的市場空間，引起了人們的關注。該設計以敏銳的市場意識和社會責任打破了傳統(tǒng)做法。同時，創(chuàng)新設計不僅滿足了消費者的需求，也打破了現(xiàn)有珠寶市場的確定性，將珠寶設計推向了一個新的階段。當珠寶設計師參與設計時，個性化珠寶也將成為首選。</p><p>　　面對復雜的珠寶設

61、計文化，我們應該重視自己的文化，吸收他人的本質，并通過了解其他文化來繼承經典創(chuàng)新。古典遺產，了解創(chuàng)新分析。中國擁有悠久歷史的珠寶文化，為現(xiàn)代珠寶設計奠定了堅實的基礎。因此，我們有理由相信，中國的珠寶設計將在不久的將來引領世界珠寶設計潮流。</p><p><b>　　參考文獻:</b></p><p>　　[I] Zhu Heping, History of Chin

62、ese Arts and Technology, Hunan University Press,2001</p><p>　　[2] Li Guozhong,Shen Shuya, Jewelry & Culture, Literary Publishing Canada, 1999</p><p>　　[3] Xu Siming, History of Chinese Arts

63、and Technology, Shandong Education Press,2002</p><p>　　[4] Zhu Heping, History of Chinese Arts and Technology, Hunan University Press,2001</p><p>　　[5] Pan Fujing. A new concept in fashion acces

64、sories. China Forestry Press, 2002</p><p>　　[7] Pan Fujing. A new concept in fashion accessories. China Forestry Press, 2002</p><p>　　[8] Li Yu Fen. Fairy land PMC Hand Silver Fashion Jewelry. S