亨德爾歌劇凱撒大帝之初步研究——以兩首女高音詠嘆調(diào)為例

1、西安音樂學(xué)院碩士學(xué)位論文亨德爾歌劇《凱撒大帝》之初步研究--以兩首女高音詠嘆調(diào)為例姓名：李力申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：聲樂教學(xué)與演唱指導(dǎo)教師：楊寶玲2011-04西安音樂學(xué)院碩士論文 Abstract IIAbstract As a representative of Handel Baroque composers, is opera,

2、 oratorio, orchestral works and a creative master. He inherited a Baroque opera creative writing features of early opera and in the mature style of Baroque music to the mainstream context of the creation of the opera to

3、a new peak. Article is divided into three parts: the first part of the birth of opera, development and characteristics of each period briefly combing; second part of the detailed analysis of the Handel life, creation of

4、social, political, environmental, cultural background, and the opera “Julius Caesar“in Drama and historical status; the third part of “Julius Caesar“ in which “I cry for my destiny, ““back from the storm“ to do this musi

5、cal form two core aria melodies, modal harmonies, and big licks and jumping Into the interval of the concert, etc., and the Handel and Baroque opera singing style do analysis. Keywords：Handel; Aria; Baroque period; conce