朝向根本破滅的沖動——論文藝創(chuàng)作中的一種精神現(xiàn)象

1、南京師范大學(xué)碩士學(xué)位論文朝向根本破滅的沖動——論文藝創(chuàng)作中的一種精神現(xiàn)象姓名：方紫云申請學(xué)位級別：碩士專業(yè)：中國語言文學(xué)；文藝學(xué)指導(dǎo)教師：駱冬青2009-04-25Abstract IIAbstract There is one special kind of impulse existing in artistic creation, the impulse towards the ultimate destruction. Unde

2、niably, this impulse exists in greatest artistic works from both eastern and western world, as well as in the theories of aesthetics. Every single approach to esthetics will inevitably encounter the destruction of esthet

3、ics. So during the pursuance of innovation and greatness of art, artists have to bear the ultimate destruction at any price. The word ‘perdition’ was carefully avoided in previous aesthetics theories by emphasizing the

4、brightness of esthetics. However, they hardly escaped from the shadow of aesthetic destruction due to its omnipresence. The inadequacy for previous aesthetic theories to face the idea of ultimate destruction leads to the

5、 active pursuit of the understanding and mastering of ultimacy of destruction, in which lies the ever-lasting vigorousness and decisiveness. Due to the repetition and contradictoriness of destruction, mastering ultimate

6、 destruction as a tool in technical detail is hardly achievable so far. Therefore, the huge blank behind the ultimate destruction leads to various possibilities in artistic creation. These might be the never-ending power

7、 and sources to nourish art. The ultimate destruction accomplishes its immortality by means of self-denial. In other word, through this kind of self sacrifice, those extremely impulsive arts had become the greatest maste