淺析歌劇費(fèi)加羅的婚禮中兩首詠嘆調(diào)的音樂特點(diǎn)與演唱

1、上海師范大學(xué)學(xué)位論文中文摘要 I 學(xué)校代碼：10270 分類號： 學(xué)號：122502295 碩士專業(yè)學(xué)位論文 淺析歌劇《費(fèi)加羅的婚禮》中兩首詠嘆調(diào)的音樂特點(diǎn)與演唱淺析歌劇《費(fèi)加羅的婚禮》中兩首詠嘆調(diào)的音樂特點(diǎn)與演唱 A Brief Analysis of Musical Features and Performance of Two Arias in Opera Le Nozze di Figaro 專

2、業(yè)學(xué)位類別： 藝術(shù)碩士 專業(yè)領(lǐng)域： 聲樂表演藝術(shù) 作者姓名： 葉濤 指導(dǎo)教師： 周進(jìn)華 答辯日期： 2015.05 上海師范大學(xué)學(xué)位論文英文摘要 II Abstract Le Nozze di Figaro is one of the numerous wel

3、l-known operas of Mozart. With a rich background story, plenty of painstaking efforts of Mozart, and a meticulous portrait of each character, this opera has become the model for today’s operas. What is more, the arias of

4、 baritone are especially impressive and heartfelt, and therefore have become the goal that many baritones challenge. This paper tries to analyses two of the arias of baritone in the opera, through the description on Moza

5、rt’s character, the analysis on his music style, and the description of Beaumarchais, author of the novel, on the opera’s background and his own character. In order to better understand how emotions are processed in an o

6、pera, one has to have a profound understanding on its background, which can help better understand the composer’s intention, better illustrate the opera and characters of figures. In terms of singers, a in-depth explorat