鋼琴演奏中手腕運(yùn)動(dòng)規(guī)律之研究

1、河南大學(xué)碩士學(xué)位論文鋼琴演奏中手腕運(yùn)動(dòng)規(guī)律之研究姓名：吳亞丹申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：音樂(lè)學(xué)指導(dǎo)教師：牛冬陽(yáng)2011-05VABSTRACT Piano performance is a coordinated movement that needs active involvements of every organ, including fingertips, fingers, wrists, arms, shoulders, upp

2、er body, waist and even muscles of the whole body and brain. And wrists play a key role in links of arms and hands in the process, for they are not only the supporting point of power transition between arms and hands but

3、 also the prerequisite for fingers touching keys under the control of them, thus beautiful music are performed. Piano performances techniques are diversified. Arms, wrists and fingers are always ready to adjust their mo

4、vements according to changes of different skills. Wrists movements are found diversified and flexible based on the research of their physiological structures. They can shift movement directions of arms and fingers up and

5、 down, left and right and even circularly. Therefore, wrists are hubs of power transition in the process of piano performances. The movements of fingers and arms are bound to be affected without its control and flexibili

6、ty, let alone music performance. Based on the above consideration, this paper tries to rationally analyze wrist movements in piano performance with principles of medicine and sports physiology: summing up laws of wrist m

7、ovement in piano performance with wrists, arms and fingers as parameters, and the analysis of their physiological structure and muscular movement capability as departure point to provide a scientific theoretical referenc

8、e to piano players. There are four chapters in the paper. The first chapter analyzes wrist physiological structures and muscular movement capability, which provide scientific grounds for the paper; the second chapter ela