陰陽(yáng)互補(bǔ)與書(shū)法創(chuàng)作研究

1、河南大學(xué)碩士學(xué)位論文陰陽(yáng)互補(bǔ)與書(shū)法創(chuàng)作研究姓名：劉玉坤申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：美術(shù)學(xué)指導(dǎo)教師：趙振乾2011-05III ABSTRACT ABSTRACT Categories of Chinese art of calligraphy as one of the “Book of Changes“ in the philosophy of yin and yang with the development of complement

2、ary, simultaneous accordingly, is an important part of traditional culture. Raised in traditional Chinese culture, yin and yang, virtual and real, just and gentle, humble and clever, square and round, black and white, dy

3、namic and static, and back to the fat and thin, and so the unity of opposites in philosophy, and Calligraphy in black or white when virtual and real, balanced symmetry, mixed scattered, Yi is with students, retractable e

4、cho, priorities, density and white, can be said to coincide with the principle of harmony, the spirit of Chinese culture is the spirit of Chinese Calligraphy the cornerstone. This paper studies from three parts to compl

5、ement of Yin and Yang, the first part with calligraphy creation is Yin and Yang complement with calligraphy creation inner link, the second part of the Yin and Yang complementary calligraphy creation influence, the third

6、 part is learning the Chinese traditional culture positive meaning. Its innovation lies in that, from the perspectives of calligraphy creation research calligraphy and Yin and Yang of complementary with inner link, altho

7、ugh a few next few aspects: one is that the source of Yin and Yang text generation; The second is Daniel flexibility; Three is with creation background hexagrams; Four is “image“ climbing; The fifth is Yin and Yang diale

8、ctical agree with. Secondly mainly describes Yin and Yang of the influence of complementary calligraphy creation, roughly divided into several parts: one is the Yin and Yang of calligraphy creation and complementary to t

9、he influence of word law; 2 it is Yin and Yang of calligraphy creation of complementary to the influence of ink presentation; Three is Yin and Yang of calligraphy creation of complementary brushwork influence; Four is Yi

10、n and Yang of calligraphy creation of complementary way of influence; Five is the Yin and Yang of calligraphy creation khin complementary effect of printing. The third part is learning Yin and Yang complement with callig