論印象主義中繪畫與音樂的視聽通感

1、 I 編 號(hào)： 碩士學(xué)位論文 碩士學(xué)位論文 題 目：論印象主義 論印象主義中繪畫與音樂 中繪畫與音樂的視聽通感 的視聽通感 培 養(yǎng) 單 位：沈陽師范大學(xué) 專 業(yè) 名 稱：美術(shù) 指 導(dǎo) 教 師：廣廷渤 研 究 生：高翯 完 成 時(shí) 間：2015 年 3 月 28 日 沈陽師范大學(xué)研究生處制 類 別 全日制研究生 √ 教育碩士 同等學(xué)力 III On painting and music of I

2、mpressionism in audio-visual Synaesthesia Abstract In the late 19th century, the romantic art form gradually decline, rigid style, model phenomenon is more and more obvious, many past art form burst through the shackles

3、of traditional ideas, brand-new art style to express the unique creative ideas and show its offspring art form of the development of far-reaching influence. In our perception of the world, the visual and auditory is is

4、the most sensitive and is the fusion of the two senses, formed the “art Synaesthesia“ audio-visual synaesthesia between painting and music and always seem to exist in this contact is an indispensable link between each o

5、ther. It is a bond, the painting and music from a indivisible Art Association, many artists and musicians is the use of such a relationship between painting and music, created a lot of excellent works of art. The Monet&

6、#39;s “impression Sunrise“ and Debussy's orchestral suite “the sea“ is a very obvious example. The impressionist art style features overall discussed, and Mo Nai “impression, sunrise“ and Debussy's “sea“ as an e

7、xample, analysis of the interaction between the impressionist painting and music, using the method of comparative study, prominent each object of study of the individual at the same time, individual characteristics to th

8、e overall characteristics. At the end of the study from the impressionist art style features extended and profound influence of Impressionism on later art development made important contribution. Key words “Impressionism