《肖申克的救贖》中英雙語劇本

1、肖申克的救贖（劇本） 肖申克的救贖（劇本）www.zxqyw.com1 INT -- CABIN -- NIGHT (1946) 內(nèi)景--小屋--夜晚A dark, empty room. 一所黑黑的、空洞的房子The door bursts open. A MAN and WOMAN enter, drunk and giggling, horny as hell. No sooner is the door shut than th

2、ey're all over each other, ripping at clothes, pawing at flesh, mouths locked together. 門突然被撞開，一個男人和一個女人醉意地走了進(jìn)來，吃吃地笑著，很是曖昧。不等門關(guān)上，他們就纏在了一塊，互相撕扯著衣服，搓摸著對方的身體，兩張嘴緊緊地貼在了一起。He gropes for a lamp, tries to turn it on, knocks

3、 it over instead. Hell with it. He's got more urgent things to do, like getting her blouse open and his hands on her breasts. She arches, moaning, fumbling with his fly. He slams her against the wall, ripping her ski

4、rt. We hear fabric tear. 男人摸索著想打開臺燈，卻弄翻了它。顧不上管臺燈，他有更急的事要做，他掀起她的上衣，用手按住她的乳房。她仰著身子，呻吟著，慌亂地解著他的鈕扣。他猛地將她頂在墻上，撕扯她的裙子?？梢月牭娇椢锉凰浩频穆曇?。He enters her right then and there, roughly, up against the wall. She cries out, hitting her he

5、ad against the wall but not caring, grinding against him, clawing his back, shivering with the sensations running through her. He carries her across the room with her legs wrapped around him. They fall onto the bed. 他粗魯?shù)?/p>

6、進(jìn)入了她，頂著墻壁。她大聲叫著，扭曲著身體迎合他，抓著他的后背，隨著插入的感覺顫僳，毫不在意她的頭抵著墻壁。他抱著她穿過屋子，她的雙腿則夾著他，兩人跌倒在床上。CAMERA PULLS BACK, exiting through the window, traveling smoothly outside... 鏡頭向后拉，退出窗戶，平滑地向外伸展……2 EXT -- CABIN -- NIGHT (1946) 2 外景--小屋--夜晚

7、...to reveal the bungalow, remote in a wooded area, the lovers' cries spilling into the night... 偏僻的小樹林中展現(xiàn)出那間小屋，那對情人的叫聲涌進(jìn)黑夜……...and we drift down a wooded path, the sounds of rutting passion growing fainter, mingling

8、 now with the night sounds of crickets and hoot owls... 沿著林間小路，情欲之音逐漸減弱，與蟋蟀和貓頭鷹的叫聲混在一起……...and we begin to hear FAINT MUSIC in the woods, tinny and incongruous, and still we keep PULLING BACK until... 隱隱的音樂在樹林中響起，既微弱又不協(xié)調(diào)

9、，鏡頭繼續(xù)后拉直到……...a car is revealed. A 1946 Plymouth. Parked in a clearing. 一輛轎車顯現(xiàn)出來。是輛 1946 年的普利茅斯。泊在林中的一塊空地上。3 INT -- PLYMOUTH -- NIGHT (1946) 3 內(nèi)景--普利茅斯--夜晚ANDY DUFRESNE, mid-20's, wire rim glasses, three-piece suit.

10、Under normal circumstances a respectable, solid citizen; hardly dangerous, perhaps even meek. But these circumstances are far from normal. He is disheveled, unshaven, and very drunk. A cigarette smolders in his mouth. Hi

11、s eyes, flinty and hard, are riveted to the 眼睛，希望聲音停止。It finally does, dying away like a siren until all that's left is the shallow gasping and panting of post-coitus. We hear languorous laughter, moans of satisfacti

12、on. 最終，像漸漸消失的塞壬（譯者注：傳說中的女海妖，她用美妙的歌聲誘惑船只上的海員，從而使船只在島嶼周圍觸礁沉沒） ，它停了下來，只剩下交媾后的輕呼和喘息?？梢月牭饺崛醯男β暫蜐M意的呻吟。WOMAN (O.S.) 女人Oh god...that's sooo good...you're the best...the best I ever had... “噢，上帝！好極了！你是最棒的，我最棒的……”Andy just

13、 stands and listens, devastated. He doesn't look like much of a killer now; he's just a sad little man on a dirt path in the woods, tears streaming down his face, a loaded gun held loosely at his side. A pathetic

14、 figure, really. 安迪只是站在那里聽著，垂頭喪氣?，F(xiàn)在，他看起來一點都不像個殺手。他只是一個悲哀的、渺小的男人，站在骯臟的林中小路上，提溜著一把裝滿子彈的槍，任憑眼淚淌過臉頰?？蓱z的人，真可憐！FADE TO BLACK: 1ST TITLE UP 屏幕漸黑，第一次字幕升起5 INT -- COURTROOM -- DAY (1946) 5 內(nèi)景--法庭--白天THE JURY listens like a galler

15、y of mannequins on display, pale-faced and stupefied. 陪審員們?nèi)缤褂[中的人體模型排成一列，面色無光、怔怔地聽著。D.A. (O.S.) 律師Mr. Dufresne, describe the confrontation you had with your wife the night she was murdered. “杜弗蘭先生，描述一下你妻子被謀殺的那天晚上，你與她的爭執(zhí)。

16、”ANDY DUFRESNE is on the witness stand, hands folded, suit and tie pressed, hair meticulously combed. He speaks in soft, measured tones: 安迪·杜弗蘭坐在證人席上，雙手交叉，領(lǐng)帶緊打、衣著嚴(yán)肅，梳洗整齊。說話溫和又慎重。ANDY 安迪It was very bitter. She said s

17、he was glad I knew, that she hated all the sneaking around. She said she wanted a divorce in Reno. “很激烈。她說她很高興我知道了一切，她討厭總是偷偷摸摸，她還說她想在雷諾離婚?！保ㄗg者注：雷諾，美國有名的“離婚城市”, 在內(nèi)華達(dá)州西部, 凡欲離婚者, 只須在該市住滿三個月, 即可離婚)D.A. 律師What was your respon

18、se? “你怎么回應(yīng)？”ANDY 安迪I told her I would not grant one. “我告訴她我不會同意。”D.A. 律師(refers to his notes) “I'll see you in Hell before I see you in Reno.“ Those were the words you used, Mr. Dufresne, according to the testimony o