論幾何塊面在繪畫中的建構與重構——從我的系列油畫創(chuàng)作切面談起

1、I 學校代碼： 分類號： 學號：132502352 碩士專業(yè)學位論文 論幾何塊面在繪畫中的建構與重構 論幾何塊面在繪畫中的建構與重構 —— ——從我的系列油畫創(chuàng)作《切·面》談起 從我的系列油畫創(chuàng)作《切·面》談起 學 院： 美術學院 專 業(yè)： 美 術 研究方向： 美 術 研究生姓名 ： 王思思 指導教師： 趙 牧

2、 完成日期： 2016-03-28 上海師范大學碩士學位論文 目錄 II Abstract Paul Cezanne, western modern painter called him as the father of the form, he pays attention to the beauty o

3、f geometry, regardless of the overall composition or individual modeling, Cezanne the geometric modelling elements of order and diversity of the perfect combination together, forming a “new reality“, become the true mean

4、ing of Cezanne's art creation. - Euan Uglow's paintings are born with solemn, serious and profound, the geometry is Uglow painting language in the classical elements. Composition, color and the traces in revealin

5、g the geometry let his picture incomparable particularity and modern sense in the full state of the geometry. Combining the two artist's painting style, so I had to think about the picture in the artist's subject

6、ive decomposition and the ability to integrate the importance, this is my understanding of the construction and reconstruction of the picture. In the “cut - face“ series of painting creation, to explore the geometric pic

7、ture blocks of the charm from the people, things and views from many aspects, in response to the emotion, is essentially a geometric element preference and dependence. The title of the “cut“ is the decomposition of the p

8、icture; “polymerization surface“ meaning of scattered pixels. And how will their paintings show geometric flexibility is my subjective of picture language retention and discard, so as to explore a their charm, but sporad