張君秋京劇藝術(shù)風(fēng)格研究

1、天津音樂學(xué)院碩士學(xué)位論文張君秋京劇藝術(shù)風(fēng)格研究姓名：孫婕申請學(xué)位級別：碩士專業(yè)：藝術(shù)學(xué);音樂學(xué)指導(dǎo)教師：錢國楨2010-12-12英文摘要 Abstract According to own advantageous voice condition and absorbing strong points of four big actresses and various schools, through the long-term st

2、age practice, Zhang Junqiu had established unique melody style of Zhang's. He is good at utilizing “ singing in a skimming way” “vibrato” and so on beautification skills to display in the play character's innermo

3、st feelings emotion. He take the traditional Peking opera melody as the foundation, dared to innovate, absorbing merits from Peking opera and other music, using the contrast technique, created the aria of Zhang's sty

4、le which manifested the character innermost feelings emotion . This article divides into three chapters: The first chapter divides into two parts, the first part is the Peking opera actor and its development historical r

5、eview, confessed the history of the aria of Zhang's style; The second part is to introduce the experience of Zhang Junqiu, which forms his artistic style. In the second chapter, the 12 key arias of “the Wangjiang Pa

6、vilion“ and “Western Chamber“,the Zhang Junqiu's representative works,has been made the more detailed graph program and the writing analysis to, and the music's main body shape characteristic has been analyzed ca

7、refully and thoroughly. The third chapter divides into two parts, first writes separately the influence of the Peking opera famous experts to Zhang Junqiu ; Second writes separately to the Zhang Junqiu's Peking opera

8、 melody characteristic. Studies on Zhang Junqiu's arial is to be helpful to understand accurately the connotation of the aria of Zhang's style,to grasp art characteristic, and is helpful to better inheritance an