現(xiàn)代詩(shī)話研究.pdf

1、華中師范大學(xué)碩士學(xué)位論文現(xiàn)代詩(shī)話研究姓名：湯保華申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：文藝學(xué)指導(dǎo)教師：黃念然20070510碩士學(xué)位論文MASTER’STHESISAbstractPoeticessayisthemostnationalformofliterarycriticisminChinathecountryofpoemFromthedayofitsbirthfornumerouspoeticessayists’creativeeffortan

2、daccordingtoitsownpatternpoeticessayexperiencedcontinuallynewdevelopmentsandchanges，whichCanbetracedintwotrendsandfourperiodsOneofthetrendswosinitiatedbyOuY抽g姬ll，andtendstostudythepoemfromthepointofthepoetsandthepoemsthe

3、mselves；whiletheotherwasinitiatedbyZhongRong，andisconcernedonthepoeticskillsandtheoriesThefourperiodsarefollowing：fir甌theSong(JinandVuan)period，whichwasfeaturedbytheprosperityofthecasualliterarynotesmainlyonthepoetsandth

4、epoemsthemselves；secondtheMingperiod、Ⅳilhthecharacteristicoftheriseofthetheory—concernedpoeticcriticism；thirdthemostadvancedperiodtheQingperiod，whichwasPeriodoftheorizatioasystematizationandspecializationofpoeticessay；fo

5、urththefallingoftheancientpoeticessayandtherisingofthemodernonenehistoricturningpointofChinesepoeticessayisthenewliteraturemovementwhichadvocatedVernacularliteraturewhichinturnproducedthemodernpoeticessayThemodempoetices

6、sayisdifferentiated丘omthetraditionalonebysomeofitsremarkablecharacteristics，suchasopenness，thesystematiccharacteristic，dialecticality，andeastheticalityAndthedifferencesarerevealedmainlyfouraspects：ontheideology，thesighto

7、fcriticismthecriticismmethodsandthetheoreticalviewNowadays，intheloudcryofthemodernizationoftheancientliterarycriticismpoeticessayaStherepresentative，whichhasundergonethetransformationfromthetraditionalt0themodernenjoyssp

8、ecialsignificanceItembodiesthepossibifityandpracticabilityofthetransformationfromanancientliterarytheorytoamodemone，andprovidessomereferenceforthebuildingofChinesespecialliterarytheoryAndtherearefourtendenciesofthemodemp

9、oeticessay：firstitisevolvingtowardspoetics；seconditiscombinedwithaesthetics；thirdthecomparativestudywiththeforeignpoemsispaidmuchattention；fourththeviewisturnedfromliteraturetoculturen圮fnsttwotendencieshavegometofullform