從敦煌壁畫(huà)的嬗變思考當(dāng)代油畫(huà)的本土化——談我畫(huà)《敦煌殘卷》系列作品創(chuàng)作體會(huì).pdf

1、蘇州大學(xué)碩士學(xué)位論文從敦煌壁畫(huà)的嬗變思考當(dāng)代油畫(huà)的本土化--談我畫(huà)《敦煌殘卷》系列作品創(chuàng)作體會(huì)姓名：閆哲峰申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：美術(shù)學(xué)指導(dǎo)教師：張驊騮2010-11從敦煌壁畫(huà)的嬗變思考當(dāng)代油畫(huà)的本土化 英文摘要 IIChanges from the Dunhuang mural paintings of the localizati

2、on of contemporary ——On the painting, “Writing of“ series of works by creative experience Abstract Dunhuang murals with rich historical factors, the Chinese art of life is filled with consciousness, it shows the developm

3、ent in the Change of the perennial vitality. Dunhuang murals in the treatment of foreign culture, not only has a strong subjectivity, nationality, difficult to assimilate foreign cultures; also has broad compatibility, t

4、here is eclectic, bringing in all the bearing. Localization of contemporary painting has a positive reference value. China is a growing painting in art. We continue to dig only Western oil painting techniques, and furthe

5、r integration with the Chinese traditional culture, in their study of the essence, energy can be learned in advance of traditional Chinese contemporary oil painting art innovation. 【Keyworde】 Dunhuang Mural Contemporar