論傳統(tǒng)紋樣的藝術(shù)思維構(gòu)成.pdf

1、吉林藝術(shù)學(xué)院碩士學(xué)位論文論傳統(tǒng)紋樣的藝術(shù)思維構(gòu)成姓名：邰昕然申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：設(shè)計(jì)藝術(shù)學(xué)指導(dǎo)教師：郭春方徐欣20060601AbstraetDuringthelearningprocessofpostgraduate，Ideeplyknowthegreatvalueandendlessmagicoftraditionaldermatoglyphicpatternartinthedesigningofartdevelopment，w

2、hileIammoreinterestedinexploringthethoughtconstructionoftraditionaldermatoglyphicpaaemTheflrstpartofthispaperisbasedontraditionalculture，comprehensivelygraspingtheartthoughtoftraditionaldermatoglyphicpaRem，anddoesfurther

3、researchontherelationshipbetweendermatoglyphicpaRemandtraditionalcultureThesecondpartofthispaperdiscussesthethoughtconstructionoftraditionaldermatoglyphicpaRernincludingthesedimentofthethoughtofprimitivereligionintermsof

4、traditionaldermatoglyphicpaRemart；theinfluenceofthedialecticalphilosophybetween‘theunificationofGodandhuman’and‘Ⅻnyang”；andtheinfiltrationoftheintegrationoftheConfucian，ShiandTaoismphilosophyThelastpartofthispaperdiscuss

5、esthesignificanceofthisresearchThepurposeofthispaperoverviewsandoutlinesthethoughtoftraditionaldermatoglyphicpaReminorderthatthesecruderemarksmaydrawforthbyablerpeopleIalsohopethesouloftraditionalermatoglyphicpaRemartCan