拉康鏡像理論下《所羅門之歌》中男主人公的自我探尋解讀_7920.pdf

1、UniversityCode：10225RegisterCode：$15323ThesisfortheDegreeofMasterAnInterpretationoftheMaleProtagonists，SelfexploringinSongofSolomonfromthePerspectiveofLacan，SMirrorStageTheoryCandidate：Supervisor：AcademicDegreeAppliedfor

2、：Speciality：Dateof0ralExamination：University：GaoMengqiCaoYingzheMasterEnglishLanguageandLiteratureJune，2015NortheastForestryUniversityAbstractAbstractToniMorrisoniSthefnstfemaleAfricanAmericanwriterwhowontheNobelPrizefor

3、LiteratureandmakesaprofoundimpactoncontemporaryAmericanliteratureMorrison’SworkshavetakenrootintheAmericanblackhistoryandrealityTheyreflecttheblackspiritualworldanddestinyillustratingtheconfusionanddilemmaoftheblackfromd

4、ifferentangles肋豫ofSolomoniSMort5son’SthirdnovelwhichwontheNationalBookCriticsCircleAwardsin1978Tllisnovelisaveryrepresentativeoneamongallherworksinexploringthehistorycultureandspiritualworldoftheblack，mainlytellingthesto

5、ryofAfroAmerican’SselfexploringJacqueLacanisafamouswesternpsychologicalanalystHeputforwardtheMirrorStagetheoryin1936OnthebasisofLacan’Sconcept，thehumanbeing’Sinnerworldgoesthroughthreedifferentstages：premirrorstage，mirro

6、rstageandpostmirrorstageThethreemainblackmalecharactersMacon，GuitarandMilkmaninso醒ofSolomonallexperiencethethreedifferemstagesofMirrorStagetheoryInthelightofLacan’SMirrorStageanditsviewpointof“self’and‘‘other’，thisthesis

7、analyzesthethreemaleblackprotagonists’processofpsychologicaldevelopmentandidentityquesttointerprettheirdifferentresultsofselfexploringTllisthesisconsistsoffivechaptersThefirstchapterisabriefintroductiontoToniMorrison，her

8、writingSongofSolomonandliteraturereviewaboutthisnovelThesecondchapterintroducesthetheoreticalbasis：Lacan’S1V／JlTOrStagetheorytheviewpointof‘‘self’and“other”initnethirdchapterfocusesontheanalysisofthethreemaleprotagonists

9、inpremirrorstageItdescribesthedislocatedmanifcstationsof‘‘self’undertheinfluenceofracialdiscrimination：thebleachedblackcapitalistMacon，theradicalBlackNationalistGuitarandtherooflessblackladMilkman碭efourthchapterfocuseson

10、theidentityquestofthethreemaleprotagonistsinmirrorstageTheyareallinsearchfortheir“self’inthemirrorimageofthe“other’，butintheprocessof‘‘self’questtheyselectdifferent“other’andtakedifferentapproachesMaconchoosesthewayofcha

11、singthematerialwealth，Guitarchoosesthewayofblindrevenge，whileMilkmandrawssupportfromtheliftingforceofintrospectionandthedrivingforceofwomenrnlefi脅chapterdescribesthestatusofthethreemaleprotagonists’psychologicaldevelopme