新世紀(jì)中國大陸懷舊電影敘事研究_2151.pdf

1、IIIIIIIIIIIIIIII／／1111分類號(hào)一Y3275464UDC印Y埸ANGZHOUUNIVERS譬ITY碩士學(xué)位論文學(xué)號(hào)M14150密級(jí)(全日制學(xué)術(shù)學(xué)位)新世紀(jì)中國大陸tI$1R電影敘事研究李媛媛指導(dǎo)教師姓名：一掏絲壹?jí)q撞，揚(yáng)!!!j太堂：望菱揚(yáng)劌：至至墨QQ呈～申請(qǐng)學(xué)位級(jí)別：一衛(wèi)一土一學(xué)科專業(yè)名稱：一籃劇芻塑狃堂論文提交日期：j917年亙?cè)抡撐拇疝q日期_2017年5旦20日學(xué)位授予單位：型盟盤堂學(xué)位授予日期：至Q!Z生魚旦

2、圣Q旦答辯委員會(huì)主席：一。一墮壟墊撞一——一一2017年5月?lián)P州大學(xué)碩士學(xué)位論文Abs仃actBasedonthenostalgicfilmsofmainlandChinaastheresearchobject，inthenewcenturymovienarrativeresearchThecontentofthisresearchmainlyinvolvestwoaspects，oneisnostalgicmoviesaboutwha

3、t，2itisnostalgicmovieshowtospeakResearchmethodsincludecontentanalysis，literatureresearchandinterdisciplinarystudyThefirstpartistheintroduction，firstintroducedthistopicresearchbackground，definitionofnostalgicfilms，pointso

4、utthecharacteristicsofthenostalgicfilms，andthedifferenceinmoviehistoryandancientcostumefilms，mainlandsummarizedthedevelopmentcourseofnostalgicmovies；Thencombedthethistopicresearchpresentsituation，summarizedthecurrentrese

5、archtrendsanddeficiencies，finallypointsoutthattheinnovationofthissubjectandvaluesignificanceThesecondpartdiscusseswhynostalgia，namelymainlandnostalgicfilmsinthenewcentury，theanalysisofthecausesoftheboomfromtherealityandt

6、hetraditionalfracture，thepostmoderncollageandnostalgicfeelingstheconsumptionofthesethreeaspectstodiscussThethirdpartsummarizeswhatbosomold，namelynostalgicmovienarrativecontentresearch，mainlyrelatedtothepursuitofregionalc

7、ivilization，memorialandgroupafterthe”80”inthespecialerayouthThefourthpartstudieshowtonostalgia，namelythenostalgicmovienarrativestrategyanalysisOneis”nostalgia”audio—visuallanguageperformance，usingvisualimagerytoimitateso

8、cialfashion，andauditoryelementsfoileraatmosphere；Secondly，narrativestructurehighlights”nostalgia”，inthedivisionoftime，theplotofthedismantlingandoverturnthethreeaspectsoftraditional；Thirdly，narrativeperspectivestrengthent

9、he”nostalgia”，embodiedinthesubjectivelimitAngleofview，inthenarrationof”I”andtheobjectivemultipleAngleofview，providetheidentityoftheaudienceabystanderFifthpartreflectnostalgic，andpointsoutthatthenostalgicmovienarrativepli

10、ght，reflectedintheregionalcultureofone—sidednostalgia，specialeraofsentimentalnostalgiaandgroupafterthe”80”homogeneousnostalgicthesethreeaspectsThesixthpartisasummaryofnostalgicmovies，tothemainlandnostalgicfilmsinspirefut