中國水彩畫創(chuàng)作與藝術(shù)家的創(chuàng)造性直覺.pdf

1、東北師范大學(xué)碩士學(xué)位論文中國水彩畫創(chuàng)作與藝術(shù)家的創(chuàng)造性直覺姓名：石磊申請學(xué)位級別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：孟慶凱20050501AbstractThereisnothingintheworldthatiswholly’newAnything，justliketheold，mustrelyonthesameprinciples，thesameresourcesandthesamerolesHereitiscrucialwhatforms

2、houldcreativethoughttakeonwhennewcreativeactivitiesemergefromintheoldfieldSince20“centuryChinesewatercolorpaintingskeepsabsorbingnutritionfromthewatercolorinoverseas，andenrichitselfwiththeChineseculturetraditions，whichha

3、sbeenpromotedbytheapplianceofallsortsofnewmaterialsandman’sunconsciousperception，SOthattheartistictheoriesofwaterpaintingarehighlightedThough，intheprocessofwaterpaintingdevelopment，explorationsoftheartofnewage，whicharein

4、fluencedbypsychologyphilosophymodemscienceandformsandcontentofthefuturearts，aregraduallydeepenedandstrengthened，uptonowitstillhasitsowndefects，themostimportantisthatsincetherehasbeennoenoughstudyonitsontologicallanguage，

5、itishardtograspthepossibleeffectsofwatercolorpaintingcoloringsThefactthatthepossibleeffectsarebeneficialtepresentinstitutioniscausedbythecomplementaryqualitiesofthem，butuptonowtherearestillsomepeoplenotpayingenoughattent

6、iontoinstitutionActuallythecurrentperceptionofinstitutioninwaterpaintingCallleadUStofacethemissionofwaterpaintingcreationnaturallyConsideringthecurrentsituationofwaterpaintingandtheneedsoftheage，itisnecessarytOtalkaboutt

7、hedevelopmentandthepopularthinkingpattemofwaterpaintingThisstudybasedonthedevelopmentofwaterpaintingandmaterialsastheessentialtheoreticalfoundations，startsfromthespecialformofperception，institution，andaimstoimprovepainte

8、r’SthoughtsofthearttobroadentheirvisionSincemanychoicesbyaparticularindividualorcertainsortofpersonmusthaveitsstrongexternalmotives一cultural，socialandpsychological，thenhowtoviewandsolvetheproblemofinstitutionbecomesthefo