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1、河北大學(xué)碩士學(xué)位論文從女性主義角度分析《金色筆記》中“自由女性”安娜的形象姓名:于波申請(qǐng)學(xué)位級(jí)別:碩士專業(yè):英語(yǔ)語(yǔ)言文學(xué)指導(dǎo)教師:李文良20100601AbstractIAbstractDoris Lessing is one of the most famous writers in the contemporary world literature. The Golden Notebook, is considered as her

2、 representative work in contemporary Britishliterary, and now it is translated into many languages. The novel is very meaty with uniquerepresentation, which plays an important role in Britain and the United States Litera

3、ry circles. In 2007, Doris Lessing was awarded the Nobel Prize for literature.The Golden Notebook is composed of one independent story and five notebooks, with no chapters for the whole novel. The notebooks of four diffe

4、rent colors ?black? red? yellow, and blue, stand for four different aspects of the protagonist “free woman” Anna’s life, including professional life, political life, emotional life, and psychological life. Four different

5、 roles in real life bring a lot of confusion to Anna, because four roles in her life could not be standardized, which makes her personality split. Four notebooks are the mental course of Anna’s getting rid of the split p

6、ersonality, while the last golden notebook is a conclusion of Anna’s life experience. The disorder of content and structure reflects the unique thinking of Lessing, and shows the inclusiveness of the novel. Th

7、e thesis contains 7 chapters. The first chapter introduces Doris Lessing’s life experience and her works. The second chapter indicates the feminist theory and its influence on Lessing. Chapter Three depicts the black not

8、ebook which records “free woman” Anna’s professional life. Chapter Four analyses the red notebook which stands for “free woman”Anna’s political life. Chapter Five introduces the yellow notebook which represents “free wom

9、an” Anna’s emotional life. Chapter Six describes the blue notebook which indicates “free woman” Anna’s psychological life. In conclusion, feminism can’t help women gain the real freedom, the absolute “Free Woman” doesn’t

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