北宋花鳥畫“寫生”觀念對我創(chuàng)作的影響

1、 碩士專業(yè)學(xué)位論文 論文題目 北宋花鳥畫“寫生”觀念對我創(chuàng)作的影響 研 究 生 姓 名 章一而 指導(dǎo)教師姓名 黃 艾 專 業(yè) 名 稱 美術(shù)學(xué) 研 究 方 向 中國畫（工筆花鳥） 論文提交日期 2012 年 9 月 北宋花鳥畫“寫生”觀念對我創(chuàng)作的影響 英文摘要 II Influence of Northern Song Dynasty’s Flower-and-bird Painting Concept upon My

2、Own Painting Abstract The flower-and-bird painting of Northern Song Dynasty was based on painters’ close observation of the natural objects and their understanding of natural rules. They use the artistic approach to repr

3、oduce the physical feature of the natural objects and to fully demonstrate the vivid and lively natural beauty as well as the life touch brought by such beauty. In my opinion, painters of Song Dynasty took the natural pr

4、operty and natural beauty as their first consideration. Such sketching concept, which combines accurate observation, objects’ external shape, their pursuit of natural beauty and their understanding of life, attached much

5、 attention to the grasp of the shape and spirit. As far as the present flower-and-bird painting is concerned, a great many emphasize to learn from tradition and then form their individual style, but they have negelected

6、to learn from nature and life, and thus lack sufficient observation, learn and study of the world and life. Even when observing life and nature, some painters are used to using cameras but not painting brushes to record

7、some signs. As a result, their works usually show a lack of freshness and liveliness. To learn from them, we have to pay attention to scretching and take it as the foundation of our own painting. That is to say, we shoul

8、d guide ourself with the combination of Song painters’ scretching comcept and our own feelings when expressing our love towards nature, life as well as all the beautiful objects in painting. Keywords:The flower-and-bird