對歷史“本質(zhì)”的一種言說——解放區(qū)新編歷史劇研究

1、沈陽師范大學(xué)碩士學(xué)位論文對歷史“本質(zhì)”的一種言說——解放區(qū)新編歷史劇研究姓名：魏家李申請學(xué)位級別：碩士專業(yè)：中國現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：胡玉偉20090501IIAbstract As the newly liberated areas historical wartime environment of the time with the birth of biology, although its existence in the his

2、tory of the time is short, but it has become a unique historical existence. The existence of such care has become a mirror of the liberated areas of literature. First of all, this paper established in the liberated area

3、s of arts policies produce a new historical drama of the role. In the 40s Yan'an literary and art circles in the early emergence of the “voice of the public clamor“ scenes, in the theater there, “my show“ craze. 1942

4、 “at the Yan'an Forum on Literature and Art of Speech“ (hereinafter referred to as “speech“) The publication of literary and artistic creation for the liberated areas to establish new norms, which theoretically negat

5、es the “my opera.“ “Speech“ for the creative writer to regulate and supervise the creative writer has to shift. Writer in the new requirements to promote, they are creations of the subject, subject matter, content, style

6、s and so on have taken place in significant changes. This paper discusses the new historical drama was followed by the “history“ of the problem. In the liberated areas, represented by Mao Zedong's Chinese Communist P

7、arty re-analysis using historical materialism to explain the history of China. The concept of history as a potential force for control of the new historical drama written in the basic and fundamental way. Political histo

8、ry of the historical narrative decide the structure of the text, and the history of narrative and literary narrative isomorphism historical drama has become a significant new feature of the new historical drama, therefor

9、e carries more for the Chinese Communists, “history“ of the translation. This article discusses the new historical drama finally liberated areas at the new style of literary practice, the role and value. When the “speec

10、h“ to “document“ as a form of creating new history begins, we need a new spirit of literary theory to the practice of their attempt. And the new historical drama undoubtedly played a very good history of “intermediate“ r