普契尼歌劇中的東方元素研究——以圖蘭朵和蝴蝶夫人為例

1、河南大學(xué)碩士學(xué)位論文普契尼歌劇中的東方元素研究--以《圖蘭朵》和《蝴蝶夫人》為例姓名：冷靜申請學(xué)位級別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：李新現(xiàn)2011-06VABSTRACT In Puccini's works, “Turandot“and “Madame Butterfly“ is a classic two more cross-cultural opera. Turandot text in the image-buildin

2、g and Qiao Qiaosang there are also similarities and differences. Mainly in the common depiction of attractiveness, while differences in the table in terms of shaping the character's personality. This article will try

3、 to Oriental themes from Puccini opera artistic features of the creative ideas and start to study and discussion. From a creative background and writing style of character formation and character, music, creative approac

4、h in terms of the use of the summary, literature review, analysis, cross-analysis. Expressed by the basic opera music for Puccini's creative material to have a preliminary understanding of the concept, as the lead fe

5、male, rich and exotic atmosphere doctrine, strong love, the perfect combination of drama and lyricism. Which further increased to the level of East-West cultural differences, and to reflect on the Puccini opera, the arts

6、 and culture to make a more comprehensive analysis of the content. Ultimately further the theme of these two opera music oriental style and creative grasp of the overall characteristics. Focus of the research text as the

7、 East-West cultural difference cultural misunderstanding the question, will we think about how to achieve cultural diversity is very helpful. Also self-reflection and self rich. Each other, sincerity and respect for cult