水彩畫的意蘊(yùn)美——從氣韻生動(dòng)談起

1、 分類號(hào)：J215 密級(jí)：不保密 UDC：741 學(xué)校代碼：11065 碩士學(xué)位論文 水彩畫的意蘊(yùn)美 水彩畫的意蘊(yùn)美 —— ——從氣韻生動(dòng)談起 從氣韻生動(dòng)談起 欒昕蔚 指 導(dǎo) 教 師 王輝林 教授 學(xué)科專業(yè)名稱 學(xué)科專業(yè)名稱 美術(shù)學(xué) 論文答辯日期 論文答辯日期 2

2、015 年 6 月 4 日 Abstract The development of contemporary Chinese painting, is in the eastern and Western cultureand the eastern and Western art theory, faced with the dual task of reference and integration,I nheritance and

3、 innovation. How to learn from western art in order to enrich the system ofOriental Art, how to inherit the traditional aesthetic thought, innovation of Eastern philosophy of art, watercolor painting this painting is

4、 the subject of national characteristics and aestheticconnotation has been paid attention to, can be said that since the watercolor painting was introduced to China, the water color artist began to study has been so far

5、, and the studyseveral generations of watercolor artists have made abundant achievements. In the creation of watercolor painting has also introduced the concept of aesthetics implication and made to work to achieve

6、 the goal of “l(fā)ively“. As a new generation of new youth in watercolor research, innovation is one of the goals we must have, but to innovation, necessary for the first in-depth understanding of traditionalphilosophy of

7、 art and traditional aesthetics. The esthetician Zong Baihua when talking aboutthe art law of development, once said: “the history of the development of one step forward,one step back is often accompanied by Ta

8、nbenqiongyuan“. “You“ this is all academic attitude,naturally including the field of painting and aesthetics. From fifteen to sixteenth Century Renaissance ZTE is the ancient Greek art, at the same time the nineteenth Ce

9、ntury romanticyearning is a medieval mood, while in twentieth Century the art and explore the primitivesimplicity of art. Therefore desire to innovate, we must first meet. This article from the Sheikh of “Six Laws“ “vivi

10、d“ theory of art as my graduation creation of watercolor painting spirit connotation theoretical support. During the period of graduate study,I have made the significance of watercolor painting as the main research direc

11、tion, in the basis of learning predecessors made art achievements, combined with their own graduation creationpractice, trying to generate the spiritual connotation of watercolor painting, “the study and analysis o

12、f the deep into a vivid“ of the target. In this paper, from the study of what is the basic concept of “meaning“ and “vivid“ aesthetic connotation of the first expounds the meaning and classification of meaning “and“ vivi

13、d “aesthetic connotation; and then a detailed analysis of the“ vivid “and“ the spirit of non normal “; then with his graduation works on how to achieve“ vivid “this ultimate goal put forward their own views. Here, I hope

14、 to find a higher level of aesthetic ideas of perfecting the water color creation,so that my works from naive to mature, to solid roots in the soil of watercolor painting. Key words: lively;connotation;style;personality