汪立三鋼琴組曲東山魁夷畫意的美學研究

1、天津音樂學院碩士學位論文汪立三鋼琴組曲《東山魁夷畫意》的美學研究姓名：鞠美玲申請學位級別：碩士專業(yè)：藝術學；音樂學指導教師：楊雁行2010-11-22Abstract 2Abstract Wang Lisan(1933- ) is a famous contemporary composer of our country. He was influenced by the traditional culture at a young a

2、ge, and is an expert in Chinese traditional culture. Piano suite “The Artistic Conception of Paintings by Kaii Higashiyama“ was composed in 1979, based on the four paintings by 20th century Japanese famous landscape pain

3、ter Kaii Higashiyama, named Winter Flowers, Forest in Autumn, The Lake and Sound of the Billow. In this suite, the composer combined the national character with innovation. The composer made a bold exploration on both th

4、e tune style of the whole music and sound effects of the harmony, which reflects the different techniques and styles of Chinese and Western music. Mr. Wang has made poems on each movement, which makes the music work very

5、 rich in content. Works involved the culture of Chinese and Japanese, links between Chinese music and Japanese music, music and painting, and the use of Buddhist music as well, and the composer, performer and listener ha

6、ve interpreted the content of the work from different angles. In this article, the writer uses methods of music morphology, music historiography, music esthetics and comparative research to analyse the suite from to asp

7、ects and two levels. First take the music morphological analysis of Wang Lisan's piano suite “The Artistic Conception of Paintings by Kaii Higashiyama“ as the starting point, and explains the use of formal beauty rul

8、es. Secondly, the paper contains two levels to discuss the verve beauty involved in his work: one is the aesthetic characteristic in aesthetic apperception of video sharing. Because the suite is composed based on paintin

9、gs, how to express the artistic conception is an point of view of reflection of verve beauty; the other is the aesthetic characteristic in auditory perception. The former is from the microscopic point of view, and discus

10、s the aesthetic characteristic involved in every movement. This section is from a macro point of view, and study the whole suite on structure, tone and melody to extract the implied aesthetic characteristic. The first as

11、pect is just like a summary of “Form“, while the second aspect is a description of “Spirit“. A unity of form and spirit is the simplest and most appropriate summary of this suite. Key Words: Wang Lisan, “The Artistic Co