中國20世紀早期現(xiàn)代派與寫實派繪畫爭論探源.pdf

1、西南大學碩士學位論文中國20世紀早期現(xiàn)代派與寫實派繪畫爭論探源姓名：段妍坤申請學位級別：碩士專業(yè)：美術學指導教師：劉沛沛20070401兩南大學碩十學位論文英文摘要Theexplorationofdispute：betweenmodernisticandrealisticpaintinginchina’Searly20曲centuryTheDegreeofMAinFineArts：DuanYankunTutor：ProfLiuPeipe

2、iAbstractThisthesisissituatedinthe20sand30softhe20。centurywhichisaspecialpenedinthedevelopmentofonpaintinginChinaItdelvesinto‘thedisputesofXus’whichhappenedduringthefirstNationalArtExhibitionheldbytheKuomintanggovernment

3、inApm，1929Basedonthesocialbackgroundoftheeventandtheartisticpositionthestandardsofaestheticvalueand％peri蜘cesonanofthetwoinvolvedthepaperdiscussesthedebatebetweentheModernismandRealismcombinedwiththeevolutionofethosatthat

4、timeItdiscussesdisputebetweenmodernisticandrealisticpaintingof20sinChinaAtthispefiodChinesepainterschooseunmtionalisminWCStelnmodemisticpainting，whileitneglectsitsrationalismInfact，itisamis蛐dingwhichmisleadsthesimilarity

5、betweenthespimofChinesetraditionalpaintingandthetinrationalisminwesternmedemisticpaintingBasedOiltheproceedingsArtExhibitionrunbytheorganizatienalcommitteeduringtheexhibitionandaccordingtothedifferentartisticviewpointexp

6、ressedbythetwosides，thepaperclarifiestheartag硎onandaestheticpositionofModernismwhichheldXuBeihongastherepresentativeFromallobjectiveperspectiveitreviewsXuBeihong’Sarteducationandsocialassociationandanalysestheartcoul呂eth

7、athechoseRealismwhichisnotthemainslreamofEuropeanartlatherthanModemismwhichWasthrivingtheninthewestafterhehadstudiedinFranceforeightyearsThethesistriestoeliminatethemisreadingaboutthisp嘶odandthehindsightheldbypeoplenowad

8、aysandteviewfromaflewpcrspcc虹ve，thedevelopmentofoilpaintinginChinainthe20sand30softhe20血centuryByreorganizingthearthistoryofthisperioditdiscussesthephenomenonthatModernismfelltodrearinessinthe30s，whileRealismculminatedin