戲曲音樂劇研究——為當(dāng)代戲曲發(fā)展需求一種可能

1、河南大學(xué)碩士學(xué)位論文戲曲音樂劇研究--為當(dāng)代戲曲發(fā)展需求一種可能姓名：谷小龍申請學(xué)位級別：碩士專業(yè)：藝術(shù)學(xué)指導(dǎo)教師：張大新2011-04VABSTRACT ABSTRACT With the arrival of the 21st century, China opera ends its classical period. Traditional opera itself: how to find and how to enter

2、modern ways of combining with new ear becomes the problem before us. Experience from the 20th century to the change in the 21st century, opera in its developing ways show more and more difficulties. When western musical

3、entered the China market, it brought intense impact to Chinese traditional opera development. Opera was moving actively to musical in its development process. Both of them mutual reference and constantly fusion, so which

4、 was named “Opera Musical” in such works under the background was gradually into the people’s perspective. The appearance of these works was the cross-border attempt of the opera development. This article by “Opera Music

5、al” this fresh drama shape as the inspection object, aims to explore an opera for new modernization in favor of the road of development, to provide a possibility of the development of the contemporary China opera. This

6、article discussed mainly from the following four parts: Part 1: The reality situation of development of contemporary China opera. Mainly discusses the background of the current opera encountered dilemma of developing. Pa

7、rt 2: The background and reasons of Opera Musical produce. Part 3: The creation of Opera Musical. This part is the most practical spirit in this article discussed, the creation of Opera Musical put forward some methods o

8、f can be put into practice, which was in attention and analysis on the basis of large works. Part 4: The current situation and prospects of Opera Musical. Mainly discusses the current in the fields of Opera Musical crea