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1、湘潭大學(xué)碩士學(xué)位論文《阿爾邁耶的愚蠢》的形象學(xué)解讀姓名：蔣瑤申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：英語(yǔ)語(yǔ)言文學(xué)指導(dǎo)教師：胡強(qiáng)20080610EnglishAbstractiiAbstractJosephConradisanimptantEnglishnovelistinthetwentiethcentury.Hisearlywritingsnotonlyinheritthecontentnarrativestyleoftheimperialroman

2、cebutalsodisplaythecriticsubversiveattitudetowardstheimperialcontext.ThereisnodoubtthatConradisofgreatvalueinunderstingthevaluesystempsychologicalstructureofthewesternwldespeciallytheVictianeraofBritain.ThehistyofConradr

3、esearchinthepastcenturyreflectsthetendencyoftheintegralstudyofConrad.TherapidprocessofcriticaltheiesinthepasttwodecadeshasbroughtnewperspectivesdimensionstothestudyofConradhiswks.HowevertheresearchthatfocusesonAlmayer’sF

4、olly(1895)isrelativelyless.Imagologiehasattractedthedomesticcritics’attentionssince1980s.Asfthecontentimagologieisnotjustlimitedtoacters.Lscapeproductsconceptsinstitutionsareallwithinthesphereofstudy.Asfthespecialization

5、imagologiefocusesmeontheimagemaker’swritingmotivationimmediatedemdeepculturestructurebehindthetextthanonthetruthiginalityofimages.Analyzingtherelationshipbetweentheimagethecollectiveimaginationisthemainmethodofimagologie

6、.Thecreativityliteraryqualityoftheimagedependsontowhatextentitdeviatesfromthecollectiveimagination.Almayer’sFollyisanovelfilledwithfeignimages.SinceBritainwasatitszenithofcolonialexpansiondomesticdevelopmenttheeurocentri

7、smwhitesupremacypatriarchyideologybecamethethreeimptantpillarsfthecollectiveimaginationoffeignimages.ThroughclosereadingthethesisdiscoversthatononehConradisgreatlyinfluencedbythecollectiveimaginationontheotherhhedistance

8、shimselffromitbyunveilingthewhites’weaknessthenation’sdecline.Inlightofcomparativeimagologiepostcolonialientalismthethesisexaminesthreefoldsofthefeignimagesincludingtheimagesoffeigncountryfeignmenfeignwomenbyweavingtheim

9、agefeaturesofprojectioninteractivity.Itexplesthefundamentalfunctionofcollectiveimaginationintheimagefmationattemptstorevealtheauth’sdoubtdenialmeditationofthecurrentBritishsociety.Thethesisconsistsoffiveparts.Afterbriefl

10、yintroducingthetheeticalbackgroundsignificanceofthewritingthethesisfirstlycentersontheimageoffeigncountrywhichembodiestheauth’smeditationonthe“ientalized”ient.Secondlythethesisdealswiththeimageoffeignmenwhichrevealstheau

11、th’smeditationon“whitesupremacy.”Thirdlythethesisstudiestheimageoffeignwomenwhichreflectstheauth’smeditationonthepatriarchalimperialism.TheConclusionpointsoutthatConrad’sfmationoffeignimagesarebasedonhiswhiteculturestanc

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