略論油畫的形意之變_26015.pdf

1、東南大學(xué)碩士學(xué)位論文略論油畫的形意之變姓名：秦杰申請學(xué)位級別：碩士專業(yè)：美術(shù)；油畫指導(dǎo)教師：王廷信20110507AbstractAbstractJudgingofreality(form)andimageryhasalwaysbeenaunaVoidedissueforapainter，andalsoa10ng—termhottopicdebatedbydomesticandforeignartcriticsFromtheRenais

2、sance，thepaintershadcreatedanexactreproductionofnaturalimagesasthebasiccriteriaIntheseseveralhundredyearsmorefocusondepictingtheshapeandne91ectoftheartist’spsycheHowever，eventherealismdominatedtheEuropeanpaintingworks，th

3、ereweresomeartistsshowtheimageryinnon—consciousWhentheOrientalartinfectedtheWestern，themoreandTnoreimageryappearedinWesternpaintingsandreacheditspeakInthefirsthalfofthe20thcenturyManyChineseartists—WujiZhao，GuanzhongWu，T

4、ianciSu，etc—gotgreatachieVementswiththeirpaintingworksandshowedthequalityofimageryinWesternStudyingtheProDositionofreality(form)andimagerycannotbeseparatedonc011atingandanalyzingthearttheory，especiallyfortherelationshipb

5、etweenreality(form)andimageryinthecurrentview，toteaseoutthetendencyofoilpaintingartfromexpressingrealistictoshowingaqualityofimagery，astheimagerycanshowthevalueofhumanThisisthesublimationoftheartdevelopmentfromtheemotion