敦煌圖案中的圓形造型研究_18198.pdf

1、趙紅星敦煌圖案中的圓形造型研究目錄中文摘要2Abstract3引言5第一章敦煌圖案與圓形造型的聯(lián)系9第一節(jié)“圓’’的起源及“圓形”在傳統(tǒng)哲學(xué)中的內(nèi)涵9第二節(jié)在敦煌圖案中出現(xiàn)的圓形造型樣式15第二章敦煌圖案中圓形造型的藝術(shù)表現(xiàn)17第一節(jié)敦煌建筑裝飾圖案中的圓形造型17第二節(jié)敦煌染織裝飾圖案中的圓形造型30第三節(jié)其它敦煌圖案中的圓形造型34第三章敦煌圖案中圓形造型的藝術(shù)特色37第一節(jié)借圓生發(fā)的構(gòu)圖方式38第二節(jié)不同元素的引用演化42第三節(jié)不

2、同文化的沖擊與融合45第四章敦煌圖案中圓形造型藝術(shù)特色的成因49第一節(jié)敦煌莫高窟的地理環(huán)境與歷史背景49第二節(jié)周邊文化的互動(dòng)與交流50第三節(jié)商業(yè)貿(mào)易中的文明交流51結(jié)論54參考文獻(xiàn)55附彩圖58致謝60攻讀碩士學(xué)位期間獲獎(jiǎng)和論文發(fā)表情況6l揚(yáng)州大學(xué)學(xué)位論文原創(chuàng)性聲明和版權(quán)使用授權(quán)書62趙紅星敦煌圖案中的圓形造型研究3AbstractDunhuangpatternnotonlyreproducestheprocessofDunhuanga

3、rt，butalsoreflectsdevelopmentofdecorationsuchasancientarchitecture，clothes，dressandtrimmings，andmeanwhilemirrorsaseriesofeconomic，cultural，andreligiouscommunicationandinteractionbetweenChinaandwesternregionsthroughsilkro

4、adItisthemasterpieceindecorativeartandleavesrichpatternlegacyforfuturityThesepatternschangewithhistoryandbecomestudyobjectforarchaeologistsandculturalhistorianandcherishedbypeopleevensomepatternsareforgottenbymodemlifeCi

5、rcularshapeisoneofthepatternswithstrongtransmissioncapacityWithmanycircularshapes，DunhuangpattemsmakechangesonthebasisofcircularshapesandrunthroughthewholedevelopmenthistoryofDunhuangartDuetoprimitiveworship，Chinesepeopl

6、eadvocatecircleandbelieveithasextraordinarypowerInthehistoryChineselocalculture，ancientphilosopherformdeepcomprehensionofcircleanduseittepresent“Dao”，theoriginofeverything，namelycircleofTaiJiItisforeignculture，especially

7、thetransmissionandgeneralizationofBuddhathatestablishesandstabilizestheconceptofadmiringcircleTheinfluenceoflocalculturaldevelopmentandforeignculturecommunicationprovideanenvironmentforcircleshapeofDunhuangpattemamongthe

8、peopleandformsthefoundationforitsconsistentheritageAccordingtothelargeamountofpicturesandmaterialssearchesfromcircleshapeinDunhuangpattem，therearemanycircleshapesinarchitecturalornamentandfabricdecorationpatternsThemainf

9、ormsofcircularcombinationpatterninarchitecturalornamentareflowersclusters，lotus，threerabbitsoflotus，dragons，phoenix，canopyandSOonThethemeofflowersandlotusarevariouswithabundanceschanges，andthebasicformatarecenterofradiat

10、iontypeandnegativerotaryofYinandYangHowever，thethemesofdragonsandphoenixaresingle，formingvortexcomposition，oneisdynamicandtheotherisstaticEspeciallytheapplicationofsuitablecirclesinbacklightpatternsmakesthepicturegracefu

11、landlively，furthermore，thesymmetricalcompositionofpicturesgivesbalancetopatterns，whichreachesaperfectunityofcontentsandformsThecircularpatternsinfabricsarerepresentedbyLianzhustria，whichoriginatesinWestAsianandmakevariou