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1、ThewildhoneysuckleInthispoemthepoetexpressedakeenawarenessofthelovelinesstransienceofnature.1.Henotonlymeditatedonmtalitybutalsocelebratednature.Itimpliesthatlifedeathareinevitablelawofnature“thewildhoneysuckle”isPhilipF
2、reneau’smostwidelyreadnatureallyricwiththethemeoftransience.2.Thepoemexpressthepoet’sviewaboutthewritingmaterialofAmericanwrits.Intheauth’sopiniontheiginlinAmericawasfiiledwithbeautymythwhichcouldcompetewiththerilicsofEu
3、rop.ItrevealedonthebasisofAmericanbeautytheAmericanwritcanproducegoodwks.Thecentralimageisanativewildflowerwhichmakesadrasticdifferencefromeliteflowerimagestypicaloftraditionenglishpoems.Thepoemshowedstrongfeelingsfthena
4、turalbeautywhichwastheacteristicofromanticpoets.Thepoemwaswritteninregular6linetetrameterstanzasrhyming:ababcc.Thestructureofthepoemisregularsoithastheneoclassicqualityofproptionbalance.Alliterationassonancemulinerhymeus
5、edinthepoemalsoproducemusicalmelodiousharmoniouswhichmatchesthebeautyoftheflowerthebeautyofpoemispartlyambodiedintheeffectscreatedthroughchangesintherhythm.Thepoemcontainsiambicstrochaicsspondee.Thearrangementofstressedu
6、nstressedsyllablessuggeststhetransienceofthelifeoftheflowerthepoet’semotionalchange.thepoemisfullofsensuousimagessuchasfairflowervisualimagecomelygrowkinastheticimagehoneyedblossomsolfactyimage.Alltheimagesmakeusfeelpity
7、fthebeautifulflowerwhichhasonlyashtlife.Theline”thesapaceisbutanhour”containsahyperbolestressingtransienceoflife.Thetoneofthepoemisbothsentimentaloptimistic.Thisisalyricpoemwritteniniambictetrameter.It’srhymeschemeisabab
8、cccontainsfoursextette.Thetoneinthispoemissentimentalemotional.Thearrangementofstressedunstressedsyllablessuggeststhetransienceofthelifeoftheflowerthepoet’semotionalchange.Honeysuckle:Thenamehoneysucklecomesfromthesweetn
9、ectarthattheflowerproducestointroxicatethegreedybee.Itspowerfulfragranceseducesthehumansensesasitpervadestheair.Theperfumeofthispassionateplantmayturnamainden’sheadhencewildhoneysuckleisasymbolofinconstancyinlove.Content
10、:Inthispoemthepoetexpressedakeenawarenessofthelovelinesstransienceofnature.Henotonlymeditatedonmtalitybutalsocelebratednature.Itimpliesthatlifedeathareinevitablelawofnature.Throughoutthewholepoemyoumayhaveastrongfeelingo
11、fpathos.Becausethepoetuselotsofwdstendingtobuildupsomethingseculsionsuchas:“hid”“silent”“dull”“retreat”“untouched”“unseen”……Besidesthepoemisfullofsensuousimagessuchasfairflowerimagecomelygrowkinastheticimagehoneyedblosso
12、msolfactyimage.Allthevividimagesmakeusfeelpityfthebeautifulflowerwhichhasonlyashtlife.Attheendthepoettrytotellsussomethingaboutphilosophythatis:thematerialthingsaremtalbutspirituallifeiseternal.Thisalsoimplieshisoptimist
13、icattitutetowardslife.Everythingmakesitsstartfrom“mningsunseveningdews”theycomefromnothinglosenothingwhentheydie.Everyoneisthesameasothersweareequaltoeachother.Thoughlifeistransiencewehavetocherishit.TheravenPoe’spoetict
14、heiesareremarkableintheirclarity((詩歌理論簡潔明朗)abouteveniftheylackwhatJosephWoodKrutchterms“intellectualdetachment”“catholicityoftaste.”(盡管缺乏Krutch所說的“知識分子的超脫”和“大眾品味)Thesearebestelucidated(最好的證明)inhis“thePhilosophyofComposit
15、ion”(創(chuàng)作原理)“ThePoeticPrinciple.”(詩歌longfellow朗費羅---年青人的心對歌者說的話==Compositionpublicationhisty==LongfellowwrotethepoemshtlyaftercompletinglecturesonGermanwriter[[JohannWolfgangvonGoethe]]washeavilyinspiredbyhim.Hewasalsoinsp
16、iredtowriteitbyaheartfeltconversationhehadwithfriendfellowprofessat[[HarvardUniversity]][[CneliusConwayFelton]]thetwohadspentanevening“talkingofmatterswhichlienearonessoul:–howtobearonesselfdoughtilyinLifesbattle:makethe
17、bestofthings“.ThompsonLawrance.YoungLongfellow(1807–1843).NewYk:TheMacmillanCompany1938:267.Thenextdayhewrote“APsalmofLife“.ThemesDeathApoemagainstdeathwouldbeuselessbutnotapoemagainstthosewhomightbecalledthe“l(fā)ivingdead”
18、peoplewhoarealivebutseemdeadontheirfeetbecausetheyhavegivenupanybutthemostnecessarystrugglechallengeinsteadseekcomftastheirparamountgoal.WhoarethesepeopleProbablythosehittoohardtoomanytimesbycircumstancesevents.Longfello
19、wwasthirtyonewhenhewrote“APsalmofLife”likelywritingittofightbacktheinertiaofdepressionovertakinghimafterthedeathofhiswifefromthecomplicationsofamiscarriageinthelatterpartof1835.Herdeathhefearedwouldleadtohisown“death”whi
20、chmeansatleasthisabilitytoliveasawriter.Longfellowwrote“APsalmofLife”therefepartiallytogainbackhiswilltobeapublicwriter.ThepsalmistcouldeitherbeLongfellow’sdowncastselfsomeoneelse—someonemakingapracticeofwritingmbidverse
21、perhapsadepressedpersonincapableofgettingpastsufferingpaindeath.Theyoungmanferventlyattemptstoconvincethepsalmist—whoisprobablyolderthanhim—thatonemustgetpastsrowyetbesoberaboutwhatthefuturemaymaynotbringexistinthepresen
22、tsinceintermsoftimethepastisdeadthefuturenotyetalive.Ifoneactsinthepresenttheonlytimethatisfullyaliveonegainsthebestchanceofbeingpresenttoothersenliveningthem.CourageCowardice“APsalmofLife”isapoeminwhichayoungmanentreats
23、apsalmist(readers)nottobeoptimisticbuttomustercourageinadversity.Thecrucialelementnecessarytogaincourageistheconfidencethatonecannotonlydofoneselfbutcanalsobeanexampletoothers.Peoplearenotgreatsimplybecausetheydogreatthi
24、ngsbutbecausetheymaintainedenoughcourageconfidencetoact.Inthiswayonenotonlyactsfoneselfbutfothers.Couragetoactdespitemisgivingsisinthispoemconsideredanegoisticgesturethroughwhichcommunityisimprovedsinceifonecannotmusterc
25、ouragetodofoneselfitishardtodofothers.Theseothersare“shipwrecked”ontheoceanoflife—aclichbecausethemetaphwkssowellwiththeoceanbuoyingoneupbutalsolettingonesink.Ifittakescouragetosetsailontheseaoflifeitmightbesaidthatthebo
26、atstsfthecouragetokeeponeselfafloat.whenthatboatofcouragebreaksupinstmyseasonewilllikelydrowninaseaofsrowunderconfidence.Longfellow’syoungmantriestomusterenoughcouragesothatsomedayheisabletothrowapreservertothestredaccdi
27、ngtothepoemallowtheshipwreckedtoseethatothershavebeenstredbefehavesurvivedtoleavetheirfootprintsinthes.OnpoemIheardaflybuzzwhenIdiedByLynnThethemeofthepoemIheardaflybuzzwhenIdiedwrittenbyEmilyDickensonistheexplationofdea
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