天寶至大歷初復(fù)古詩(shī)風(fēng)研究

1、南京師范大學(xué)碩士學(xué)位論文天寶至大歷初復(fù)古詩(shī)風(fēng)研究姓名：焦閩申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國(guó)語(yǔ)言文學(xué)；中國(guó)文學(xué)與文化指導(dǎo)教師：黨銀平2009-04-25Abstract IIAbstract Abstract Kaiyuan and Tianbao is a height of cultural in Tang Dynasty which prevailingness is to attach importance to the class

2、ics and Confucianism. This article focuses on the performance of the ideology of returning to ancient in the field of poetry from Tianbao to Dali. The first chapter discusses emphatically on the background of society and

3、 culture and summarizes the pattern of writing in this period. The second chapter mainly discusses the condition of returning to ancient poems from Tianbao to the Rebellion of An Lu-shan and Shi Si-ming and analyzes the

4、poem style that imitate the and write four words or others and long passages of ancient times, which is presented by the poems of Xiao Ying-shi and Li Hua. The third chapter mainly discusses the development and change i

5、n the returning to ancient poems from the Rebellion of An Lu-shan and Shi Si-ming to the early times of Dali. In this period, the spirit of returning to ancient get a new explanation which is different from the pre-mecha

6、nical imitation to and the poetries of Han Dynasty, but shows the characteristics as flexible, diverse, lively and distinct. After Dali. The fourth chapter discusses the inheritance and dividing of returning to ancient

7、poetry after Dali, the former is mainly presented by Yuan Jie and , and the latter is mainly presented by advocating the odd, which representatives are Han Yu and Meng Jiao, and the easy understanding, which representati