走向本真的存在——從海德格爾出發(fā)

1、湘潭大學碩士學位論文走向本真的存在——從海德格爾出發(fā)姓名：閆偉申請學位級別：碩士專業(yè)：外國哲學指導教師：高捍東20070512IIAbstract Heidegger was one of the greatest philosophers in the 20th century. His philosophical contribution was to inquire being. Although he thought about

2、 the life-world, he considered it in the form of forgetting. For himself, life-world was only the stairs leading to being, the essence of his idea was being. So we conclude that Heidegger forgot the life-world by thinkin

3、g about it. He did not know the identity between being and life-world. The statements of the text focus on the topic to explore how it is on the way to authentic being in the life-world. The text includes three chapters

4、except the foreword. The first chapter is from being to life-world telling us the possibility from being to life-world by naming the being as being-play. The second chapter attempts to think about the life-world from the

5、 double directions of birth and death. It regards being and life-world as identity by considering life-world as time-play-space. The third chapter is the major part in the text which is based on the first 2 parts. The ch

6、apter depends on Heidegger’s thoughts and is divided into 2 segments. In the first segment, we engage in the problem of Dasien (being-there) and the other. We interpret how it is on the way to authentic being in the life

7、-world by that. It shows that how human being gets rid of the falling and return to authenticity. It also demonstrates that if we return to authenticity from the falling, we must view the life-world as being-play where w

8、e come from and walk into. We belong to the being, when we compose being; we are life (and life-world), when we participate in life. The second segment, we are set to state the issue of technology which we will concern t

9、echnology and human being. The thought of the overcoming of technology, the necessity of entering the fields upon art and poetry, and the paradox of between technology and art or poetry in the life-world, we require art