賈平凹九十年代以來長篇小說中的“土門”情結(jié)

1、西北師范大學(xué)碩士學(xué)位論文賈平凹九十年代以來長篇小說中的“土門”情結(jié)姓名：楊榮榮申請學(xué)位級別：碩士專業(yè)：中國現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：郭國昌2009-06III Abstract The 1990s was an important transition period which Jia Pingao created, was having the dispute the transition period stage, the author

2、by the tenacious creation endurance, created a series of novels. This article attempts his seven works (《Waste》 ， 《White night》, 《Tumen》, 《High Lao-Zhuang》, 《Fondly remembers Wolf》, 《Shanxi Opera》, 《Happy》) analyzes Jia

3、Pingao to create reforming so-called “Tumen” the complex as well as this kind of complex transforms. the paper first chapter: Introduced “Tumen” the complex definition and the origin. The village (history) with the city

4、(reality), the modern age and the tradition, feels inferior with the self-respect contradiction is Jia Pingao “Tumen”complex concrete manifestation; The author childhood's experience, the urban experience, as well as

5、 is “Tumen” the complex origin is at as an agricultural lineage city nationality writer's unique emotion orientation. the second chapter: Elaborated that “Tumen” the complex subject presents. Separately from “the Xij

6、ing trilogy” ”(《Waste》, 《White night》, 《Tumen》), “returns home the trilogy” (《High Lao-Zhuang》, 《Fondly remembers Wolf》 , 《Shanxi Opera》 ) as well as 《Happy》 these works analyzes, return to original state leading charact

7、er's life path: “departs” —— “returns home” is the leading character life distance basic trend, “people eventually go back home” is their soul approaches. the third chapter: Since this has been Jia Pingao in the 90s

8、a typical writing technique, namely uses one kind of symbol, one kind of dim image return to original state village civilization. This chapter makes concrete from the human affairs image and the animal image explains the

9、 author complex innermost feelings emotion. Empty and solid interlocking is the author between the reality and ideal random walk, but names and image using is the author for own construction performance content support.

10、the fourth chapter: Paces back and forth in “the gate” , “the wrong side of the door”, is to Jia Pingao “Tumen” the complex essence connotation summary once more. Is speaking as one, Jia Pingao has with stood are too man

11、y “heavily”the thing, he uses the work to change into poetic sentiment it “l(fā)ightly”it. Not only the current literature Jia Pingao one is this, concerns from Jia Pingao, expands to this phenomenon writers who is similar